Hello, friends,

   Can anybody give me any background about the “Cumbées” variations from
   Santiago de Murcia’s Saldívar Codex?


   Is it related at all to the popular dance genre in Colombia called
   “cumbia”?


   Does anyone have Craig Russell’s book on de Murcia and could possibly
   look up for me what he says about the Cumbé?


   If it’s indeed a West African genre, how would de Murcia have heard it
   if, as is now thought, he didn’t travel to the New World and hear it as
   brought there by slave populations?  Should we presume that Africans
   would have brought those sounds to Iberia as well?


   Many thanks!


     * Lucas Harris

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