I understand these as 'French' 1st and 2nd endings, where the second
ending is written first, and the first ending written last. You find
these a lot in French Baroque. Very confusing when sight reading
chamber music, as there's always some poor soul getting lost (usually
me, to the merriment of the others), espcially when these endings are
combined with 'petite resprises'.
David
*******************************
David van Ooijen
[1]davidvanooi...@gmail.com
[2]www.davidvanooijen.nl
*******************************
On 21 January 2018 at 13:08, Rainer <[3]rads.bera_g...@t-online.de>
wrote:
Dear lute netters,
I wonder what Vallet's intention in
"L'Espagnolle", page 80, Secret des Muses I
was.
It is not at all clear how interpret the double bar lines, the half
notes at the end of both strains and the repeat sign.
Obviously Andre Souris had no idea either - he reproduced the piece
as it appears in the original.
The scribe of the Kassel lute book (Monbuyssant? or Elisabeth?) 99v
simply ignores the double bar lines and changes the first half note
to a dotted half note.
This is certainly plausible. He should have changed the second half
note, too.
Any ideas, anybody?
Rainer
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References
1. mailto:davidvanooi...@gmail.com
2. http://www.davidvanooijen.nl/
3. mailto:rads.bera_g...@t-online.de
4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
