Simple question:
Would you place any double bar lines anywhere?
If so, why.
Rainer
On 12.02.2018 18:22, Ron Andrico wrote:
Rainer, I'm not sure what you are asking. The character piece is a
series of variations inspired by the ringing of bells, which in real
life can be rather random. The variations are in fact derived from the
bass line, which I play through by itself a few times in performance
before beginning the variations and again before repeating the whole
thing. There are more thant a few instances where Vallet wrote strains
that echo, particularly effective if one understands how to subdivide
the phrases.
Again, my feeling is that the variations arise from the bass line, grow
in complexity and demonstrate a clever rendering of the pleasant
cacophony that one hears in the ringing of bells. As for structure, I
hear symmetry in each of the variations, which are evenly divisible
within themselves.
RA
RA
__________________________________________________________________
From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf
of Rainer <rads.bera_g...@t-online.de>
Sent: Monday, February 12, 2018 4:30 PM
To: Lute net
Subject: [LUTE] Carillon de Village
Dear lute netters,
I wonder if anybody recognizes any structure (strains?) in Vallet's
"Carillon de Uillage".
Volume II, page 25.
Of course, the problem is that the bass "part" doesn't give any clue :)
To get on or off this list see list information at
[1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[2]Lute Mail list technical information
www.cs.dartmouth.edu
How do I get on the lute mail list? To get on the mail list, send email
with a Subject: of "subscribe" to lute-requ...@cs.dartmouth.edu and
your name will be added to ...
--
References
1. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
