Hi Martyn - That is a bogus address. Because anti-spam measures are really fierce these days I have to send out many messages with a fake âFrom: â address. The real address is in the âReply=To:â filed which you may not see in your mail reader without asking for all the headers. Anthonyâs real address is [email protected] <mailto:[email protected]>
Wayne > Begin forwarded message: > > From: Martyn Hodgson <[email protected]> > Subject: [LUTE] Re: Re : Re: Loose frets > Date: March 12, 2018 at 7:17:36 AM EDT > To: Anthony Hind <[email protected]>, John Lenti > <[email protected]> > Cc: Lutelist Net <[email protected]> > Reply-To: Martyn Hodgson <[email protected]> > > Dear Anthony, > Your email address [email protected] bounces back (it didn't > use to)! Have you another for a personal communication? > Martyn > __________________________________________________________________ > > From: Anthony Hind <[email protected]> > To: John Lenti <[email protected]> > Cc: Lutelist Net <[email protected]> > Sent: Monday, 12 March 2018, 10:15 > Subject: [LUTE] Re : Re: Loose frets > A very good tip, John, as is the idea of pre-wetting the fret > material. > I wish I had thought of that these last few years, suffering from > severely slipping frets in similar changing conditions. However, as I > had resorted to a nylgut chanterelle, which quickly frays gut frets, > I > decided to try Mimmo's new synthetic fret material. This has only > been > on my lute for a few weeks, so I can't report on durability; however, > I > can say that, as expected, this material is not effected by humidity, > but also less expectedly, it seems slightly softer than modern gut > (therefore, presumably not from Nylgut, as has been suggested). This > would have the advantage of not damaging gut strings, as reportedly > nylgut frets would do; but the possible disadvantage of making > stopped > strings sound very slightly softer (but less so, I would judge, than > the much softer sounding double gut frets, with which I do have > experience, and appreciated for their greater durability). In spite > of > their slippery surface, with the knot advised for them by Mimmo, they > do seem to slip far less than gut frets. > Regards > Anthony > [1]Sent from Yahoo Mail for iPhone > Le lundi, mars 12, 2018, 8:13 AM, John Lenti > <[1][email protected]> a > à ©crit : > I'm a little reluctant to share something that might seem almost > immoral, but what the hell, I make my living playing the lute and I > tie > a lot of frets, so I'll chip in here: when I go, as I do almost > weekly, > from my home in Seattle, where the weather is always perfect for > gut-strung-and-fretted instruments, to a place like the mountains > of > Montana or the desert of Tucson and the humidity is 1% and my frets > (usually it's 1, 5, and 6 on my main touring instrument) start > slipping > and sliding around, and I don't feel like re-fretting, I tape them > down > with masking tape. > Sent from [1]Mail for Windows 10 > > __________________________________________________________________ > From: [2][2][email protected] > <[3][3][email protected]> on > behalf > of howard posner <[4][4][email protected]> > Sent: Friday, March 9, 2018 9:01:32 AM > To: [5][5][email protected] > Subject: [LUTE] Re: Loose frets >> On Mar 9, 2018, at 8:12 AM, John Mardinly > <[6][6][email protected]> > wrote: >> >> My frets never come loose and they have not worn out yet. They > are >> metal. > I want to know how you tied them on in the first place. You must > have > really strong fingers. > To get on or off this list see list information at > > [2][7][7]https://nam01.safelinks.protection.outlook.com/?url=http:%2F%2 > Fww > w.c > > s.dartmouth.edu%2F~wbc%2Flute-admin%2Findex.html&data=02%7C01%7C%7Cb2e0 > > 482fe1c54b991ec608d585df2c7f%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0 > > %7C636562115923455431&sdata=IZZ6Zu8XFrfsZCfWdhf7SHgTi7418M8H6c6WDYZPwhA > %3D&reserved=0 > -- > References > 1. [8][8]https://go.microsoft.com/fwlink/?LinkId=550986 > 2. > > [9][9]https://nam01.safelinks.protection.outlook.com/?url=http://www.cs > .da > > rtmouth.edu/~wbc/lute-admin/index.html&data=02|01||b2e0482fe1c54b991ec6 > > 08d585df2c7f|84df9e7fe9f640afb435aaaaaaaaaaaa|1|0|636562115923455431&sd > ata=IZZ6Zu8XFrfsZCfWdhf7SHgTi7418M8H6c6WDYZPwhA=&reserved=0 > -- > References > 1. [10]https://yho.com/footer0 > 2. mailto:[11][email protected] > 3. mailto:[12][email protected] > 4. mailto:[13][email protected] > 5. mailto:[14][email protected] > 6. mailto:[15][email protected] > 7. > [16]https://nam01.safelinks.protection.outlook.com/?url=http://www.c > 8. [17]https://go.microsoft.com/fwlink/?LinkId=550986 > 9. > [18]https://nam01.safelinks.protection.outlook.com/?url=http://www.cs.d > artmouth.edu/~wbc/lute-admin/index.html&data=02|01||b2e0482fe1c54b991ec > 608d585df2c7f|84df9e7fe9f640afb435aaaaaaaaaaaa|1|0|636562115923455431&s > data=IZZ6Zu8XFrfsZCfWdhf7SHgTi7418M8H6c6WDYZPwhA=&reserved=0 > > -- > > References > > 1. mailto:[email protected] > 2. mailto:[email protected] > 3. mailto:[email protected] > 4. mailto:[email protected] > 5. mailto:[email protected] > 6. mailto:[email protected] > 7. https://nam01.safelinks.protection.outlook.com/?url=http://ww > 8. https://go.microsoft.com/fwlink/?LinkId=550986 > 9. https://nam01.safelinks.protection.outlook.com/?url=http://www.cs.da > 10. https://yho.com/footer0 > 11. mailto:[email protected] > 12. mailto:[email protected] > 13. mailto:[email protected] > 14. mailto:[email protected] > 15. mailto:[email protected] > 16. https://nam01.safelinks.protection.outlook.com/?url=http://www.c > 17. https://go.microsoft.com/fwlink/?LinkId=550986 > 18. > https://nam01.safelinks.protection.outlook.com/?url=http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html&data=02|01||b2e0482fe1c54b991ec608d585df2c7f|84df9e7fe9f640afb435aaaaaaaaaaaa|1|0|636562115923455431&sdata=IZZ6Zu8XFrfsZCfWdhf7SHgTi7418M8H6c6WDYZPwhA=&reserved=0 --
