According to Wikipedia, here are some instances:
the second movement (Largo) of Beethoven's Third Piano Concerto (Op.
37) (1800), to notate rapid scales.[3] Another example is in Mozart's
Variations on "Je suis Lindor" (1778), where four of them are used in the slow
(molto adagio) twelfth variation.[4][5] A further example occurs (Grave.Adagio
non troppo) in Jan Ladislav Dussek's (1760–1812) Fifth Piano Sonata, Op. 10 No.
2.[6] They also occur (Largo) in Vivaldi's (1678–1741) Concerto, RV 444,[3][7]
and in bar 15 of François Couperin's Second Prelude from L'art de toucher le
clavecin(1716).[8]
A. John Mardinly, Ph.D., P.E.
> On May 14, 2018, at 6:47 AM, Rainer <rads.bera_g...@t-online.de> wrote:
>
> demisemihemidemisemiquaver
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
