I can't put my finger on it (erm...), but when playing Alberto it occurred frequently that you need to play "dotted" chords, which probably means index+2 as a downstroke. This is a nice effect.
Maybe someone professional can explain.


Am 04.08.2018 um 02:51 schrieb Sean Smith:
    Thanks, Tristan.

    Which books did you see the Alberto dots in this context?
    The Fezandant publications include right-hand dots frequently in the
    guitar books but I don't recall any running thirds. I don't mind
    looking again, though.
    Sean

    AR's intabulations are nice, too.
    Pardon the weird formatting above.
    Sean

    On Aug 3, 2018 5:37 PM, "Tristan von Neumann"
    <[1]tristanvonneum...@gmx.de> wrote:

      I guess the most logical way is to play the run with index and
      middle
      finger (not dedillo), it's also most convenient. Sounds great if
      played
      with panache.
      Albert de Rippe has some similar dotting in his style and it makes
      sense. For my taste, this gives more control over the brightness and
      clarity of the notes.
      What strikes me more with Rotta's works is the detailed instructions
      which notes to hold, sometimes three notes, which leave you with few
      ways to go to the next chord, or none, if you put the wrong fingers
      on
      them. :)
      His Ricercars are very good practice material for voice leading.

    Am 04.08.2018 um 01:15 schrieb Sean Smith:
    >      Antonio Rota in his first book has a Saltarelo and Piva in the
    Dm
    >      Antico dance cycle that includes the passage (more or less
    similar in
    >      each)
    >      I2 0.2.3.5.7.I
    >      I3 2.3.5.7.8.I    etc.
    >      It may not be clear above but it's a run of thirds where each
    cipher
    >      has a dot following. The passage continues into the 2nd and
    third
    >      courses and the initial downbeat in each measure is undotted. Is
    he
    >      suggesting both notes are
    >      a) played with the index
    >      b) some non-thumb finger
    >      c) something else? brushed? strummed? two-note dedillo? lighter?
    >      AR is quite liberal in his right-of-cipher dottage in this print
    while
    >      the Gardane print (same year) strips them all away.
    >      AR also uses dots beside rootless chords on off-beats, including
    >      non-adjacent strings. I'm suspecting the innocuous dot may have
    other
    >      meanings beside "index finger here" but I'm not sure what.
    Suggestions?
    >      Speculation?
    >      Here is the facsimile link to the book [with thanks to Jo
    Bringmann].
    >      The passages are on 13v and 15r.
    >
    [1][2]http://daten.digitale-sammlungen.de/0007/bsb00071965/images/index
    .ht
    >      ml?id=00071965&groesser=&fip=193.174.98.30&no=&seite=26
    >      Sean
    >
    >      --
    >
    > References
    >
    >      1.
    [3]http://daten.digitale-sammlungen.de/0007/bsb00071965/images/index.ht
    ml?id=00071965&groesser=&fip=193.174.98.30&no=&seite=26
    >
    >
    > To get on or off this list see list information at
    > [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
    >

    --

References

    1. mailto:tristanvonneum...@gmx.de
    2. http://daten.digitale-sammlungen.de/0007/bsb00071965/images/index.ht
    3. 
http://daten.digitale-sammlungen.de/0007/bsb00071965/images/index.html?id=00071965&groesser=&fip=193.174.98.30&no=&seite=26
    4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




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