Dear Stewart and Ron,

that rang a bell and after a quick look into my windows cloud I saw that I 
arranged the piece for two lutes years ago and correctly gave both sources in 
the editorial notes. I don't recall if I read about the concordance or found 
out myself.

Regards
Stephan

> Gesendet: Mittwoch, 08. August 2018 um 10:11 Uhr
> Von: "Ron Andrico" <praelu...@hotmail.com>
> An: "Lute Net" <lute@cs.dartmouth.edu>, "Stewart McCoy" <lu...@tiscali.co.uk>
> Betreff: [LUTE] Re: Dowland's Courante
>
>    Congratulations, Stewart.  It appears you have discovered a new
>    concordance.  If it had been known previously, surely Peter Holman
>    would have mentioned the concordance in his notes to his recording An
>    Englishman Abroad: Consort music composed, arranged and collected by
>    Thomas Simpson (1582 -1628), Hyperion CDA66435, 1991.  Snatches of many
>    other of Dowland's songs have crept into the dance tune repertory, and
>    your discovery adds to the pile.
> 
>    RA
>      __________________________________________________________________
> 
>    From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf
>    of Stewart McCoy <lu...@cs.dartmouth.edu>
>    Sent: Tuesday, August 7, 2018 11:39 PM
>    To: Lute Net
>    Subject: [LUTE] Dowland's Courante
> 
>       This evening I had the pleasure of playing Dowland's "Were every
>       thought an eye" from his Pilgrimes Solace (1612). It seemed very
>       familiar, and then I recognised it as Dowland's Courante in Thomas
>       Simpson's Taffel-Consort (1621). I didn't know of this concordance.
>    I
>       can find no mention of it in Diana Poulton's book John Dowland, and
>    no
>       mention in the introduction to the Scolar Press facsimile of A
>       Pilgrimes Solace. Have I discovered something new, or is it already
>       common knowledge?
>       Stewart McCoy
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