It may, of course, simply be down to a self-opionated sound/recording
engineeer. Some of these seem ignorant of what period instruments
actually sound like in the flesh and seek their own subjective
recording 'balance' and tonal qualities. They, in their ignorance, may
even think a viola da mano 'should' sound like a lute and make the
necessary adjustments
MH
__________________________________________________________________
From: Sean Smith <lutesm...@gmail.com>
To: lute <lute@cs.dartmouth.edu>
Sent: Sunday, 26 August 2018, 18:41
Subject: [LUTE] Re: Nigel's Francesco vol 2
If we cannot hear the differences between the two instruments from a
recorded performance, what conclusions should we draw? Is the
difference more apparent when we are in the same room? Should we
suspect they have been mixed (deliberately? inadvertently?) to make
them more similar?
Sean
On Sat, Aug 25, 2018, 5:37 AM Edward Martin
<[1][1]edvihuel...@gmail.com>
wrote:
Dear ones,
I was asked to provide the answer to the list, so here it is:
Nigel plays on both kinds of instrument: approximately 2/3 of
the
pieces on lute; the rest on viola da Mano (vihuela).
---------- Forwarded message ---------
From: Christopher Stetson
<[1][2][2]christophertstet...@gmail.com>
Date: Fri, Aug 24, 2018 at 11:20 PM
Subject: Re: [LUTE] Nigel's Francesco vol 2
To: Edward Martin <[2][3][3]edvihuel...@gmail.com>
Edward,
Can you share the answer to the list, for the curious?
Thanks,
Chris.
On Fri, Aug 24, 2018 at 9:24 PM, Edward Martin
<[3][4][4]edvihuel...@gmail.com> wrote:
Dear ones,
My inquiry was answered, thanks to Steven, Steve, and
Andrew.
Thanks
to all 3!
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