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[1]https://www.facebook.com/baroque4you/videos/551180878677128/
ÿÃ, 12 þúÃ. 2018, 12:36 Konstantin Shchenikov
<[2][email protected]>:
Dear colleagues,
I do not pretending to be an expert or merely theorbo master, but
would
like to say that theorbo (even my, which is honestly not the best
one)
is loud enough with proper technique. I do not suffer playing
this way.
Thanks to may teachers, Evangelina Mascardi and Xavier
Diaz-Latorre who
showed me correct sound production and explained how to teach
myself
this way. Also I do not fighting against a band, I'm observing
time and
tessitura to be built in music, to support the band and to be
audible
(thanks to my composition studies for that).
Obviously, if you play with modern orchestra with 16 I violins
and
brass, theorbo is useless and there is no sence to enforce lutes
for
that purpose. If one plays with big period orchestra one theorbo
is not
enough, 2-3 axes of lutes plus harps makes effect if everyone
plays
with correct technique. That is historical evidence.
Below is the proof. Days ago I played in ballet at the Hermitage
theater. The band is small and I am single theorbist. There was
no
amplifier, there was no mic close to the theorbo, only distance
mics.
Be the way, I do not use the nails on right hand. Lute starts to
play
on about 13 min. Tell me, is it still not enough? Your experience
is
more rich than mine and most of you know more than me, so I would
be
glad to get your comments If I'm wrong. I would like to be
better!
(Sorry, webcast was only in a Facebook, but Fb haters can watch
without
logging in)
[1][3]https://www.facebook.com/baroque4you/videos/551180878677128/?_
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Vhw
VPxYsXRSZgARlk-cUmiT--7f7m5tgoss7DzJ071sjGrf27nM8prkEzpKc6CfXymPj2En
yRD
vpdjtzES2kW01YQ1Gh7UWjPvuINA4-uZMGbJB2YIQVGZp3YE&__tn__=H-R
Sincerely,
Konstantin
à ²Ã, 9 à ¾à ºÃ. 2018 à ³. à ² 0:42, Ron Andrico
<[2][4][email protected]>:
For what it's worth, an increasing number do not.
__________________________________________________________________
From: [3][5][email protected]
<[4][6][email protected]>
on behalf
of John Lenti <[5][7][email protected]>
Sent: Monday, October 8, 2018 8:39 PM
To: howard posner; lutelist Net
Subject: [LUTE] Re: electric theorbo
Oh god, I didn't think anyone looked at that magazineâ
¦..
Sent from [1]Mail for Windows 10
__________________________________________________________________
From: [6][8][email protected]
<[7][9][email protected]> on
behalf
of howard posner <[8][10][email protected]>
Sent: Saturday, September 29, 2018 10:32:35 PM
To: lutelist Net
Subject: [LUTE] electric theorbo
On 04/10/2013 07:17, John Lenti wrote:
> Speaking as a full-time theorbo player, I feel that I
can
say with
some authority that the theorbo cannot be held
comfortably by
anyone
ever. What you do is you play near the bridge and suffer,
pop
some
Advil, suffer some more, pop a Demerol, more massage,
claw at
the
strings nearish the bridge, Demerol, suffer, stretch,
suffer,
take a
month off, and then start over. The theorbo is out to get
you,
and
it
will win.
I bring up John's memorable (and, alas, accurate)
5-year-old
remarks
because the current issue of Early Music America has a
feature
story
on
the Seattle Baroque Orchestra, which includes a picture
of him
playing
a concerto for electric theorbo, an instrument I had
never
imagined,
but which looks like John's ergonomic dream instrument.
On
to
victory...
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