Dear Alain and Andi,

   I'll get back to this topic in due course. It has been so may years
   ago, that I have to find and resurrect my notes.  I'll get around to
   Mr. Sciurus at that time.

   Friedrich Wilhelm Rust's grandson, Thomaskantor Wilhelm Rust (d. 1892),
   was indeed involved with spurious versions of his works, mainly piano
   sonatasâââfrom what I can tell.  According to the grandson, "Here the
   fancy, now free, now severe, takes its flight and reaches heights never
   touched before, [as] . . . the poetic ideas in their profound
   pregnancy, burst forth under the influence of egregious events in the
   life of the composer."

   When the controversy was raised around 1914 d'Indy published the elder
   musician's sonatas, rather modest pieces in scope.  One might say the
   reworkings demonstrate a "missing link" between Haydn and, not
   Beethoven, but Liszt (!!!).  The originals are best suited for a novice
   player with little experience, other than a few lessons with, say, J.
   S. Bach (!!!).  Wilhelm probably little knew how close his grandfather
   was to old Bach.  He, himself was very close in his own way, since he
   was a major editor in the Bach Gesellschaft Ausgabe, and edited a
   whopping 26 volumes.

   You are doubtlessly correct when you suggest that lute pieces would
   hardly be appropriate for such "improvement."  That was the problem I
   faced when I first became involved with the Rust sonatas.  There were
   many references to the godson's edition, supposedly published in
   Hamburg: H. Pohle/Bremen: Schweers & Haake, 1892.  German ILL services
   are excellent, but I never found a copy.  I could only concluded that
   the references might refer to a lost print.   Little did I know.  When
   I returned home I found a copy in the Boston Public Library!  But I
   haven't compared its readings with other sources, although that appears
   to be what Andi has doneâand more!
   There were several other prominent lutenists still active at the time.
   All were gone by 1815: J. A. F. Weiss (a son of SLW), Johann Reichardt
   (d. 1815) and Christian Gottlieb  Scheidler (d. 1814).
   Arthur
   []^[DEL: :DEL]
   []^[DEL: :DEL]
   -----Original Message-----
   From: Alain Veylit <[email protected]>
   To: Arthur Ness <[email protected]>; lute.corner
   <[email protected]>; lute <[email protected]>
   Sent: Fri, Jan 4, 2019 9:43 pm
   Subject: [LUTE] Re: Rust
     Thanks Arthur,
     I am very curious about Mr Scurius / Squirrel: how does he fit in the
     story? The idea behind the Wilhem Rust "deception" was to make
     Friedrich Rust appear to be the missing link between Mozart and
     Beethoven, which lute music would not necessarily or obviously
   support
     ... Rust also committed a Sonata per il Clavicordio all imitazione de
     Timpani del Salterio e del Liuto that sounds intriguing. His
     compositions for tangent piano, nail violin and in imitation of the
     salterio don't seem particularly romantic to me - may be closer to
     mid-20th century post-modern experiments integrating type-writers and
     car horns...
     Was he the last renowned composer to compose sonatas for the lute ?
     On 1/4/19 4:50 PM, Arthur Ness wrote:
     Hi, Alain and Andi,
     This is involved.  It even goes back to Bach in the case of both
     like-named father and grandson.  I found several references to an
     edition of three or four Rust sonatas for lute and violin, publ.
   1892.
     I sent ILL's galore when I was in Germany.  ILL service is super in
     Germany, but I got no results.  No one had such a print.  Perhaps a
     mistaken date.  1798 would fit perfectly for the father.  So, could
   it
     be a lost print from 1798?  I also examined the manuscripts in Berlin
     and noticed some blue crayon editorial marks.  And recall the sonata
     with viola. Can't recall if it was printed.  The print also had a
   song
     with lute accompaniment, and a note (I think) that it was sung when
   the
     patrons went gondola rowing around the palace.
     D'Indy was the guy who spilled the beans.  "Der Fall Rust" was the
     modest title of the article.  (Sounds so well with English word
     Fall<g>)  Of yes, a lutenist named Sciurius (Mr. Squirell) was also
     involved.  His manuscript is in Berlin also (cover: C. A. A. Pr d'A /
     1740).
     Later, Alain and Andi  --Arthur.
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