Hi everyone,

over a decade ago, I recall attending one of the talks at the UK Lute Society’s 
meetings where the speaker talked about paintings of lute players, and said he 
felt a certain painting (Caravaggio?) was likely a fake on account of the 
positioning of the fingers. It was quite a compelling argument at the time. 

Does anyone recall who the talk was by and if a transcript is available?

Thanks in advance!

Edward



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