Hi Jay,
   I had that very same model built by Paolo Busato two years ago and
   played it extensively for my exams at the Conservatorio of Pavia: the
   projection is great and so it is the action. The instrument has been
   very stable so far (no cracks, no growing action, etc) and Paolo
   followed strictly every single indication I gave him.
   The instrument has been praised often by my both teachers, Massimo
   Lonardi at the Conservatorio of Pavia and Jakob Lindberg at the
   Soomerakademie Alte Musik in Neuburg an der Donau.
   I wouldn‘t be misled by his pricelist: Paolo is indeed not expensive,
   but the quality of his lutes is really high.
   I‘m about to ask him to rebuild the long neck of my big Hasenfuss
   theorbo, as the instrument has a fantastic voice, but Hasenfuss built a
   very heavy long neck, so it is really painful to homd during concerts.
   A lighter neck should solve the issue.
   All the best,
   Luca
   http://www.liuti.blog
   ---- On sab, 23 mar 2019 08:42:44 +0100 Jay
   F.<[email protected]> wrote ----

   Hello all,
   I was wondering if anyone could provide some suggestions as to who
   would be the best luthier to make a copy of the Hrubà � Rohozec
   1728 Dieffopruchar/Edlinger? I played one by Robert Lundberg and it was
   honestly one of the nicest sounding baroque lutes I've heard. The other
   major benefit is its extremely flat bowl which makes it quite
   comfortable to play despite its 76cm string length. The problem,
   however, is very few luthiers offer this model. I know Cesar Mateus
   makes them. I'd also consider asking Clive Titmuss. I know Busato also
   makes them, but I'm sceptical about him seeing as his lutes seem to be
   too cheap.
   I literally just received one made by Jiri Cepelak and its a total dud
   so we can count him off the list. He completely ignored some of my
   requests such as the stings I wanted, how many frets and the size of
   the bridge sting holes (I canâ � �t fit gut, or Aquila CD loaded bass
   strings for the bottom 5 courses). It came to me with a messed-up
   action (buzzing) and a terrible varnishing job on the bowl. I had heard
   he was reliable... but clearly, he rushed the construction on this
   instrument. Luckily, I haven't paid for it so I'll probably send it
   back. Any advice on this issue is also welcomed.
   Thanks for your help!
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References

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