There's: Szz [not worthy of the word] Sstain [not quite enough] Sustain [just right] Sustaaayayayayaiiiinnn [too much] Sustain-Z [electric guitar]. My understanding is that it's a spectrum and we're a picky, fickle bunch.
On Sun, Jun 30, 2019 at 1:57 PM Roman Turovsky <[1]r.turov...@gmail.com> wrote: aren't lutenists switching to gut out of sustainophobia? RT On 6/30/2019 3:46 PM, Matthew Daillie wrote: > I find that sustain is a major factor in the choice of a lute. Obviously we are not talking grand piano sustain, but an instrument with good sustain makes all the difference, especially for playing polyphonic music. > Clearly appropriate acoustics can make or break a lute, (however good the instrument and the player) but in the right environment the sound can also carry astonishingly well. > > There might actually be a correlation between sustain and the amount of dishing. A well respected lutenist, with vast experience of teaching internationally, observed that lutes with inordinate dishing (a practice which is apparently common in some parts), and so with the strings at a significant height above the soundboard, frequently lacked sustain. > > Best, > Matthew > > > >> On Jun 30, 2019, at 19:51, Ron Andrico <[2]praelu...@hotmail.com> wrote: >> Sustain does not and probably never did factor into the plucked string sound of the lute. The sound is immediate and rich in overtones, but ephemeral and does not travel well. >> RA >> ______________________________________________________________ > > > To get on or off this list see list information at > [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:r.turov...@gmail.com 2. mailto:praelu...@hotmail.com 3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html