I'd say my Ren-faire experience was a mixed bag.  I performed at Ren-Faires in 
Texas and South Louisiana from 1981-1994; served as music director at one for a 
while; and through that time used the experience to not starve, while working 
on my undergraduate and graduate degrees.  While there was an overload of 19th 
C. Celtic Music at all of the locations, there was also a real presence of 
period music to be had in my area during that time.  There were many 
opportunities to perform in bands of Shawms and Recorders, Gemshorns, 
Krumhorns, and Cornetti, Vocal Groups, Early Dance (mostly Arbeau, Caroso & 
Negri), and Natural Trumpets, etc., performing with HIP methods (as understood 
at the time).  Good memories of Shawm bands playing "Ohne Fels" at daybreak; 
dew on the grass; and the smell of a forge being coked as the day begins still 
haunt me.

In Texas and South Louisiana in the 1980's, finding another Lutenist or Cittern 
player was not very easy.  Ren-Faires made that much easier, and some of my 
best memories involve jamming with other lute players late into the night, 
after finding another semi-lost kindred spirit.   When Early Music was present 
it was great experience,  but more often than not, the work atmosphere was more 
like an episode of "All's Faire," than it should have been. 

Of all the experiences, jamming on Lutes Terry Brown in Dallas; with Jean 
Crepeau and David Brown in New Orleans; leading the Bendinelli Sonata #336 
regularly at dusk with 6 Natural Trumpets, 4 Tympani, 2 Side Drums and Canon; 
and coaching  all 212 cast members of an event to perform Monteverdi's "Domine 
ad Adjuvandum" at closing gate remain among my favorite memories of the 
experience.
 
That being said, I stopped performing at Ren-Faires in 1994, and I've not 
visited a Ren-faire since  2010...so I'd likely be a poor judge of the current 
situation. I hope that at least somewhere, another person has found good 
memories in Early Music though that type of venue.

Ron Banks
Fort Worth, TX
 





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