Just took a peek at Holborne's tablature--his c's appear to be a hybrid
   open polygon: more to it than the r-like c.  A pentagon with one side
   missing?  That's his tablature c--in his text the c is rounded, typical
   of today's style.
   Leonard
   -----Original Message-----
   From: Christopher Stetson <christophertstet...@gmail.com>
   To: Frank A. Gerbode, M.D. <sa...@gerbode.net>
   Cc: Lute List <lute@cs.dartmouth.edu>
   Sent: Tue, Aug 4, 2020 12:25 pm
   Subject: [LUTE] Re: e vs c
     Hi, all.
     If my memory serves there are p's, q's, r's, and s's in Holborne's
     cittern book. I don't remember what he did about c's.
     Stay safe, dry, and well.
     Best to all and keep playing.
     Chris.
     On Tue, Aug 4, 2020, 11:22 AM Frank A. Gerbode, M.D.
     <[1][1]sa...@gerbode.net> wrote:
           Thanks, David.
           Arguably, that kind of a c could be easily confused with an r,
       but as r
           is rarely, if ever, seen in lute tab (has anyone ever seen
   it?),
       this
           isn't a problem.
           I like the "r" form of the letter c because it is clear and
           unambiguous. Also because I cut my teeth on Varietie and on
       English
           lute mss. In early days, I used to hand-copy a lot of sources
       and,
           having terrible handwriting, I used the "r" style for clarity.
           I also find tab letters on spaces easier to read because the
       ciphers
           are not transected by a line. And, yes, this makes it easier to
       add
           readable fingerings.
           It's all about clarity and readability.
           --Sarge
           On 8/4/2020 02:17, David Van Edwards wrote:
             Martin is right, this is just the standard English way of
       writing C
             in all sorts of contexts not just lute tablature.
             To illustrate I've uploaded a small section of an English
   will
       from
             1574 which reads "mercy to receive" and in it you can see the
       normal
             form of the R as well as the C and the E
             [1][2][2]https://www.vanedwards.co.uk/R%20for%20C.htm
             Best wishes,
             David
             At 08:34 +0200 4/8/20, Martin Shepherd wrote:
             The "r" is in most English lute MSS and in all the lute song
       prints
             as well. In fact it's not an "r" at all, just another way of
       writing
             "c".
             My biggest readability complaint is writing the letters on
   the
       lines
             rather than between them - a habit which seems to have become
       quite
             common with some modern editors of lute music. And just to
   open
       up a
             few more worms, I find French tablature very convenient
   because
             (although I read all kinds of tab fluently) I can write in
             fingerings, which can get very confusing in Italian tab.
             M
             On 04/08/2020 02:27, T.J. Sellari wrote:
                 ---------- Forwarded message ---------
                 From: Tristan von Neumann
       [2]<[1][3][3]tristanvonneum...@gmx.de>
                 Date: Tue, Aug 4, 2020 at 8:14 AM
                 Subject: [LUTE] Re: e vs c
                 To: [[3]2][4][4]lute@cs.dartmouth.edu
       [4]<[3][5][5]lute@cs.dartmouth.edu>
                 Ah yes. I forgot about those.
                 I hate English prints. As if they were deliberately
   trying
       to
             make
                 things unreadable.
                 Morlaye is the best imho.
                 On 04.08.20 01:30, Denys Stephens wrote:
                 > Dear Sean & Tristan, the Robert Dowland à ¢Varietie of
       lute
             lessons'
                 and Barley's à ¢New book of tablature' both have à ¢r'
   for
       Ã ¢c'
             although the
                 latter is engraved rather than typeset. I suspect that
   the
             Varietie of
                 lute lessons may have had an undue influence in modern
       times
             because it
                 was the first facsimile that many of us who were involved
       in
             lute music
                 in those days owned in the Scott edition.
                 > Best wishes, Denys
                 >
                 > Sent from my iPhone
                 >
                 >> On 4 Aug 2020, at 00:02, Tristan von Neumann
                 [5]<[4][6][6]tristanvonneum...@gmx.de> wrote:
                 >>
                 >> Good question Sean...
                 >>
                 >> I think there's no real development in this.
                 >>
                 >> For example, Fuhrmann's Testudo Gallica&Germanica uses
             "on-line"
                 fonts,
                 >> and "c".
                 >>
                 >> This is very annoying sometimes if you want to play
   from
       the
                 facsimile...
                 >>
                 >> In manuscripts, Marsh Lute Book uses c, it's often
   very
             confusing
                 next
                 >> to the e.
                 >>
                 >> French "above line" prints from earlier decades
       (Morlaye, Le
             Roy)
                 also
                 >> use c but I find those prints very readable.
                 >>
                 >> I don't recall "r" in prints, but maybe I missed some.
                 >>
                 >>
                 >>> On 04.08.20 00:56, Sean Smith wrote:
                 >>>      Dear all,
                 >>>      There's a long tradition of scribing the cipher
       'r' in
             place
                 of 'c' in
                 >>>      manuscripts of lute tablature. It's quick and
       easy and
             serves
                 to
                 >>>      differentiate a 'c' from an 'e'. My question is,
       did
             this
                 carry over
                 >>>      into historic printed tablatures with
       standardized
             typefaces?
                 Can
                 >>>      anyone suggest examples? Lute, guitar, mandora,
       etc?
                 >>>      I don't recall any in Renaissance prints--tho I
       could
             easily
                 be
                 >>>      wrong--but I know I don't have enough experience
       with
             baroque
                 >>>      tablatures!
                 >>>      Tia, Sean
                 >>>
                 >>>      --
                 >>>
                 >>>
                 >>> To get on or off this list see list information at
                 >>>
       [5][6][7][7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
                 >>
                 Actually, the letter that looks like an "r" is actually a
       "c" in
                 English secretary hand. That's probably why the "r" is
       featured
             in
                 English sources.
                 If you scroll down to the chart of miniscule letters here

   [6][7][8][8]http://morristownnhpmuseum.blogspot.com/2016/10/paleography
       -fo
             r-ever
                 yone-cracking-old.html you'll see various form(s) of c.
                 Tom
                 --
             References
                 1. [8]mailto:[9][9]tristanvonneum...@gmx.de
                 2. [9]mailto:[10][10]lute@cs.dartmouth.edu
                 3. [10]mailto:[11][11]lute@cs.dartmouth.edu
                 4. [11]mailto:[12][12]tristanvonneum...@gmx.de
                 5.
       [12][13][13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
                 6.

   [13][14][14]http://morristownnhpmuseum.blogspot.com/2016/10/paleography
   -
       for-
             everyone-cracking-old.html
             --
             This email has been checked for viruses by Avast antivirus
       software.
             [14][15][15]https://www.avast.com/antivirus
       --
       Frank A. Gerbode, M.D. ([15][16][16]sa...@gerbode.net)
       11132 Dell Ave
       Forestville, CA 95436-9491
       Home phone:  707-820-1759
       Website:  [16][17][17]http://www.gerbode.net
       "The map may not be the territory, but it's all we've got."
           --
       References
           1. [18][18]https://www.vanedwards.co.uk/R for C.htm
           2. mailto:[1][19][19]tristanvonneum...@gmx.de
           3. mailto:[20]2][21][20]lute@cs.dartmouth.edu
           4. mailto:[3][22][21]lute@cs.dartmouth.edu
           5. mailto:[4][23][22]tristanvonneum...@gmx.de
           6.
   [24][23]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
           7.

   [25][24]http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for
   -
       ever
           8. mailto:[26][25]tristanvonneum...@gmx.de
           9. mailto:[27][26]lute@cs.dartmouth.edu
         10. mailto:[28][27]lute@cs.dartmouth.edu
         11. mailto:[29][28]tristanvonneum...@gmx.de
         12.
   [30][29]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
         13.

   [31][30]http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for
   -
       everyone-cracking-old.html
         14. [32][31]https://www.avast.com/antivirus
         15. mailto:[33][32]sa...@gerbode.net
         16. [34][33]http://www.gerbode.net/
     --
   References
     1. mailto:[34]sa...@gerbode.net
     2. [35]https://www.vanedwards.co.uk/R for C.htm
     3. mailto:[36]tristanvonneum...@gmx.de
     4. mailto:[37]lute@cs.dartmouth.edu
     5. mailto:[38]lute@cs.dartmouth.edu
     6. mailto:[39]tristanvonneum...@gmx.de
     7. [40]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     8. [41]http://morristownnhpmuseum.blogspot.com/2016/10/paleography-fo
     9. mailto:[42]tristanvonneum...@gmx.de
     10. mailto:[43]lute@cs.dartmouth.edu
     11. mailto:[44]lute@cs.dartmouth.edu
     12. mailto:[45]tristanvonneum...@gmx.de
     13. [46]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     14.
   [47]http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for-
     15. [48]https://www.avast.com/antivirus
     16. mailto:[49]sa...@gerbode.net
     17. [50]http://www.gerbode.net/
     18. [51]https://www.vanedwards.co.uk/R
     19. mailto:[52]tristanvonneum...@gmx.de
     20. mailto:2
     21. mailto:[53]lute@cs.dartmouth.edu
     22. mailto:[54]lute@cs.dartmouth.edu
     23. mailto:[55]tristanvonneum...@gmx.de
     24. [56]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     25.
   [57]http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for-eve
   r
     26. mailto:[58]tristanvonneum...@gmx.de
     27. mailto:[59]lute@cs.dartmouth.edu
     28. mailto:[60]lute@cs.dartmouth.edu
     29. mailto:[61]tristanvonneum...@gmx.de
     30. [62]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     31.
   [63]http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for-eve
   ryone-cracking-old.html
     32. [64]https://www.avast.com/antivirus
     33. mailto:[65]sa...@gerbode.net
     34. [66]http://www.gerbode.net/

   --

References

   1. mailto:sa...@gerbode.net
   2. https://www.vanedwards.co.uk/R%20for%20C.htm
   3. mailto:tristanvonneum...@gmx.de
   4. mailto:lute@cs.dartmouth.edu
   5. mailto:lute@cs.dartmouth.edu
   6. mailto:tristanvonneum...@gmx.de
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   8. http://morristownnhpmuseum.blogspot.com/2016/10/paleography
   9. mailto:tristanvonneum...@gmx.de
  10. mailto:lute@cs.dartmouth.edu
  11. mailto:lute@cs.dartmouth.edu
  12. mailto:tristanvonneum...@gmx.de
  13. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  14. http://morristownnhpmuseum.blogspot.com/2016/10/paleography-
  15. https://www.avast.com/antivirus
  16. mailto:sa...@gerbode.net
  17. http://www.gerbode.net/
  18. https://www.vanedwards.co.uk/R
  19. mailto:tristanvonneum...@gmx.de
  20. mailto:lute@cs.dartmouth.edu
  21. mailto:lute@cs.dartmouth.edu
  22. mailto:tristanvonneum...@gmx.de
  23. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  24. http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for-
  25. mailto:tristanvonneum...@gmx.de
  26. mailto:lute@cs.dartmouth.edu
  27. mailto:lute@cs.dartmouth.edu
  28. mailto:tristanvonneum...@gmx.de
  29. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  30. http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for-
  31. https://www.avast.com/antivirus
  32. mailto:sa...@gerbode.net
  33. http://www.gerbode.net/
  34. mailto:sa...@gerbode.net
  35. https://www.vanedwards.co.uk/R
  36. mailto:tristanvonneum...@gmx.de
  37. mailto:lute@cs.dartmouth.edu
  38. mailto:lute@cs.dartmouth.edu
  39. mailto:tristanvonneum...@gmx.de
  40. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  41. http://morristownnhpmuseum.blogspot.com/2016/10/paleography-fo
  42. mailto:tristanvonneum...@gmx.de
  43. mailto:lute@cs.dartmouth.edu
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  45. mailto:tristanvonneum...@gmx.de
  46. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  47. http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for-
  48. https://www.avast.com/antivirus
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  50. http://www.gerbode.net/
  51. https://www.vanedwards.co.uk/R
  52. mailto:tristanvonneum...@gmx.de
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  56. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  57. http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for-ever
  58. mailto:tristanvonneum...@gmx.de
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  60. mailto:lute@cs.dartmouth.edu
  61. mailto:tristanvonneum...@gmx.de
  62. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  63. 
http://morristownnhpmuseum.blogspot.com/2016/10/paleography-for-everyone-cracking-old.html
  64. https://www.avast.com/antivirus
  65. mailto:sa...@gerbode.net
  66. http://www.gerbode.net/

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