I am sad to hear of Julian Bream's passing. I was a young classical
   guitarist to whom exposure to Julian Bream's recordings opened up the
   world of renaissance lute music. For that I owe him many thanks.
   In the early-mid 1970s one of the local universities (California State
   University at Long Beach) had an extensive series of classical guitar
   concerts featuring leading performers. One of the concerts featured
   Julian Bream. The first half of the concert was lute, the second half,
   guitar. His playing was virtuosic and warm and projected well in the
   large concert hall. By the time of that concert I had already met and
   become a student of Donna Curry, and remember being surprised by his
   guitar-like technique on the lute. No matter; his recordings inspired
   me early on.
   Moshe Davis
   Jerusalem

   On Sat, 15 Aug 2020 at 01:58, G. C. <[1]kalei...@gmail.com> wrote:

        Being a seriously aspiring guitarist in those days, Julian
     Bream's two
        famous lute records "The Woods so Wild" and "Music from the
     Courts",
        totally changed the paradigms for me. Virtually all the pieces in
     those
        two records have become the canon for so many lutenists. I was
     lucky to
        catch a performance he did at the Stockholm Concert Hall, (I
     can't
        recall the exact year now, but mid 70s). Half the set was guitar
     and
        half the set his Rubio "lute", (which projected very well). I was
     so
        proud, when I managed to copy Mudarra's Fantasia X from the
     record and
        play it convincingly, especially the dissonant passage, and also
     the
        Washa Mesa. Whatever one thinks about his antics, looking at his
        performances on video, his playing may look awkward. (I believe
     he was
        mainly self taught), but there is no question about his
     dedication. Of
        course, compared to John Williams, he didn't reach his level, but
     he
        was a true musician and did enormously to propagate the guitar
     mainly,
        but somehow also the lute, even though he was criticized for not
     being
        HIP enough, (metal frets and all). I still believe the lute
     today,
        would not have been the same without him, and the guitar
     certainly not.
        Happy to live in an age, where with a click, I can recall the
     many
        performances, interviews and documentaries he made, mainly on the
        guitar but also a few rare ones on the lute. In later years, I
     think he
        played on more HIP instruments and also on the baroque guitar.
     Que
        descanses en paz Maestro!
        On Fri, Aug 14, 2020 at 9:18 PM Rainer
     <[1][2]rads.bera_g...@t-online.de>
        wrote:
          [2][3]https://www.bbc.com/news/entertainment-arts-53777949
          To get on or off this list see list information at
          [3][4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
        --
     References
        1. mailto:[5]rads.bera_g...@t-online.de
        2. [6]https://www.bbc.com/news/entertainment-arts-53777949
        3. [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:kalei...@gmail.com
   2. mailto:rads.bera_g...@t-online.de
   3. https://www.bbc.com/news/entertainment-arts-53777949
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   5. mailto:rads.bera_g...@t-online.de
   6. https://www.bbc.com/news/entertainment-arts-53777949
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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