i don't eat my vomit perse, but any nondocumented sending is often regretted
and frequently. one day we will all look in all the sent boxes and see what
we said in chrono order. on many lists many accounts many correspondences
one day there will be time even for that. Meanwhile, devilmaycare. Go Devil!
It brings me back to my point of the other message. Think of all the lonely
people out there, in our tense frightened multiply hysteric era, feeling
preordained
to greater thoughtfulness, more cogent understanding of time and metaphysics
because they're not out on patios flickering like cds in the sun. ive been
enjoying this weekend despite the big catastrophe machine in the sky
of world politics and ninoesque weather patterns, so on my bicycle
i was noticing the unhappy, feeling the glare of the patio-cheerful set
as they make their ways home to minimal effects. To whom I say
all you nee'd s a bike, fly around your city or region, qu'el ca planet. G!
--- ross_priddle <[EMAIL PROTECTED]> wrote:
>
> geez, don't you think that was a little unkind, bill? how would you
> like it if people treated you like that? remember: what goes around
> comes around! the question might as well have been put: "why do
> photographers save the negatives?" it's not enough for you that artists
> send out the originals: you fault them for keeping a record for
> themselves?
>
>
> --- In ma-network@yahoogroups.com, [EMAIL PROTECTED] wrote:
> > In a message dated 4/15/2005 1:26:26 PM Pacific Standard Time,
> > [EMAIL PROTECTED] writes:
> > why do so many mail-artists document what they send out?
> > why do house-dogs eat their vomit? B
> >
> >
> > [Non-text portions of this message have been removed]
>
>
>
>
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