Gordon,

I don’t mean to pry into your personal shebang, but if you don’t mind me 
asking, why are you so much in objection to a physical boxed copy of ProTools?  
HOnestly, that would probably be the way you’d wanna go anyway, as then you’d 
get your ILok included in the price of the software, plus, you even could get a 
really nice interface bundled with the product.  I’ve even seen some bundles of 
ProTools 9 or ProTools 10, for that mind, going as low as $3 or 400 for 
everythging.  I have a friend now, get a load a this!  He went up on Amazon, 
and found a bundle suite which had an M-Audio Fast Tracks C400 USB interface, a 
full studioware microphone with pop filter included, a full upright floor mike 
stand, a microphone case, a microphone polish buff cloth, several adapters, 
studioware headphones, a long snake xlr cable, a studioware carrying duffle 
bag, an ILok may I add with the ProTools ascet license already on it, the 
software drivers for the interface, and a copy of ProTools M-Power9.03 all 
included.  Including shipping straight out the door, you know what he paid?  I 
think it was like, $400 if I remember correctly.  Obviously that’s USD, not 
British Pounds/Pents, but it still proves my point.  It was dirt dirt dirt! 
filthy butt cheap!  Basically, being this stuff wasn’t refurbbed, that was a 
blessid steel!  OK, he couldn’t do it digitally obviously, but for that cost? 
Are you freaking kidding me?  Is it just that you don’t want to wait on it to 
arrive?  Is the postal system there in the UK not very good?  I guess I just 
don’t get your logic, no punn intended.  LOL!  For those who don’t get that 
joke, Logic is another sound editting application.  LOL!

Anyway…

Chris.

On Nov 2, 2013, at 6:14 AM, Gordon Smith <[email protected]> wrote:

> Hi Sarah
> 
> I too have some musical training and experience in harmonising and chord 
> structures come naturally to me.  I was aware of course, as Danny pointed 
> out, that you’d need to do the vocal tracks separately to the instrumentation 
> because if you applied pitch bending you’d then screw up all the 
> instrumentation as well.  I have an FX processor which is hardware based, but 
> it doesn’t include a pitch change preset programme and it isn’t programmable. 
>  But at least the FX on the vocal tracks isn’t going to be a problem.
> 
> So, I guess, the next thing I need to do is decide upon which editor to use.  
> Sound Forge Mac isn’t accessible as far as I can see.  So we’re back to the 
> usual options.
> 
> Kind regards
> 
> <--- Gordon Smith --->
> 
> <[email protected]>
> 
> Information Technology Accessibility Consultant;
> Providing Help & Support To Young People With Visual Impairment, plus Braille 
> Transcription services.
> 
> On 29 Oct 2013, at 21:28, Danny Noonan <[email protected]> wrote:
> 
> There are certainly hardware and software solutions but as mentioned you 
> can't just drop third harmonies over a melody and have it all stay consonant 
> with the chord progression. If there is just vocals you can use a harmoniser 
> but with music involved  the harmonising has to be created with the chords in 
> mind or perhaps sampling the vocal but then the harmonised samples have to be 
> time stretched or shrunk. Doing multiple vocal tracks and applying auto tune 
> where required would be the best bet. 
> 
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