http://www.nytimes.com/2011/10/30/opinion/mona-simpsons-eulogy-for-steve-jobs.html?_r=1

A Sister’s Eulogy for Steve Jobs

I grew up as an only child, with a single mother. Because we were poor and 
because I knew my father had emigrated from Syria, I imagined he looked like 
Omar Sharif. I hoped he would be rich and kind and would come into our lives 
(and our not yet furnished apartment) and help us. Later, after I’d met my 
father, I tried to believe he’d changed his number and left no forwarding 
address because he was an idealistic revolutionary, plotting a new world for 
the Arab people.

Even as a feminist, my whole life I’d been waiting for a man to love, who could 
love me. For decades, I’d thought that man would be my father. When I was 25, I 
met that man and he was my brother.

By then, I lived in New York, where I was trying to write my first novel. I had 
a job at a small magazine in an office the size of a closet, with three other 
aspiring writers. When one day a lawyer called me — me, the middle-class girl 
from California who hassled the boss to buy us health insurance — and said his 
client was rich and famous and was my long-lost brother, the young editors went 
wild. This was 1985 and we worked at a cutting-edge literary magazine, but I’d 
fallen into the plot of a Dickens novel and really, we all loved those best. 
The lawyer refused to tell me my brother’s name and my colleagues started a 
betting pool. The leading candidate: John Travolta. I secretly hoped for a 
literary descendant of Henry James — someone more talented than I, someone 
brilliant without even trying.

When I met Steve, he was a guy my age in jeans, Arab- or Jewish-looking and 
handsomer than Omar Sharif.

We took a long walk — something, it happened, that we both liked to do. I don’t 
remember much of what we said that first day, only that he felt like someone 
I’d pick to be a friend. He explained that he worked in computers.

I didn’t know much about computers. I still worked on a manual Olivetti 
typewriter.

I told Steve I’d recently considered my first purchase of a computer: something 
called the Cromemco.

Steve told me it was a good thing I’d waited. He said he was making something 
that was going to be insanely beautiful.

I want to tell you a few things I learned from Steve, during three distinct 
periods, over the 27 years I knew him. They’re not periods of years, but of 
states of being. His full life. His illness. His dying.

Steve worked at what he loved. He worked really hard. Every day.

That’s incredibly simple, but true.

He was the opposite of absent-minded.

He was never embarrassed about working hard, even if the results were failures. 
If someone as smart as Steve wasn’t ashamed to admit trying, maybe I didn’t 
have to be.

When he got kicked out of Apple, things were painful. He told me about a dinner 
at which 500 Silicon Valley leaders met the then-sitting president. Steve 
hadn’t been invited.

He was hurt but he still went to work at Next. Every single day.        

Novelty was not Steve’s highest value. Beauty was.

For an innovator, Steve was remarkably loyal. If he loved a shirt, he’d order 
10 or 100 of them. In the Palo Alto house, there are probably enough black 
cotton turtlenecks for everyone in this church.

He didn’t favor trends or gimmicks. He liked people his own age.

His philosophy of aesthetics reminds me of a quote that went something like 
this: “Fashion is what seems beautiful now but looks ugly later; art can be 
ugly at first but it becomes beautiful later.”

Steve always aspired to make beautiful later.

He was willing to be misunderstood.

Uninvited to the ball, he drove the third or fourth iteration of his same black 
sports car to Next, where he and his team were quietly inventing the platform 
on which Tim Berners-Lee would write the program for the World Wide Web.

Mona Simpson is a novelist and a professor of English at the University of 
California, Los Angeles. She delivered this eulogy for her brother, Steve Jobs, 
on Oct. 16 at his memorial service at the Memorial Church of Stanford 
University.

Steve was like a girl in the amount of time he spent talking about love. Love 
was his supreme virtue, his god of gods. He tracked and worried about the 
romantic lives of the people working with him.

Whenever he saw a man he thought a woman might find dashing, he called out, 
“Hey are you single? Do you wanna come to dinner with my sister?”

I remember when he phoned the day he met Laurene. “There’s this beautiful woman 
and she’s really smart and she has this dog and I’m going to marry her.”

When Reed was born, he began gushing and never stopped. He was a physical dad, 
with each of his children. He fretted over Lisa’s boyfriends and Erin’s travel 
and skirt lengths and Eve’s safety around the horses she adored.

None of us who attended Reed’s graduation party will ever forget the scene of 
Reed and Steve slow dancing.

His abiding love for Laurene sustained him. He believed that love happened all 
the time, everywhere. In that most important way, Steve was never ironic, never 
cynical, never pessimistic. I try to learn from that, still.

Steve had been successful at a young age, and he felt that had isolated him. 
Most of the choices he made from the time I knew him were designed to dissolve 
the walls around him. A middle-class boy from Los Altos, he fell in love with a 
middle-class girl from New Jersey. It was important to both of them to raise 
Lisa, Reed, Erin and Eve as grounded, normal children. Their house didn’t 
intimidate with art or polish; in fact, for many of the first years I knew 
Steve and Lo together, dinner was served on the grass, and sometimes consisted 
of just one vegetable. Lots of that one vegetable. But one. Broccoli. In 
season. Simply prepared. With just the right, recently snipped, herb.

Even as a young millionaire, Steve always picked me up at the airport. He’d be 
standing there in his jeans.

When a family member called him at work, his secretary Linetta answered, “Your 
dad’s in a meeting. Would you like me to interrupt him?”

When Reed insisted on dressing up as a witch every Halloween, Steve, Laurene, 
Erin and Eve all went wiccan.

They once embarked on a kitchen remodel; it took years. They cooked on a 
hotplate in the garage. The Pixar building, under construction during the same 
period, finished in half the time. And that was it for the Palo Alto house. The 
bathrooms stayed old. But — and this was a crucial distinction — it had been a 
great house to start with; Steve saw to that.

This is not to say that he didn’t enjoy his success: he enjoyed his success a 
lot, just minus a few zeros. He told me how much he loved going to the Palo 
Alto bike store and gleefully realizing he could afford to buy the best bike 
there.

And he did.

Steve was humble. Steve liked to keep learning.

Once, he told me if he’d grown up differently, he might have become a 
mathematician. He spoke reverently about colleges and loved walking around the 
Stanford campus. In the last year of his life, he studied a book of paintings 
by Mark Rothko, an artist he hadn’t known about before, thinking of what could 
inspire people on the walls of a future Apple campus.

Steve cultivated whimsy. What other C.E.O. knows the history of English and 
Chinese tea roses and has a favorite David Austin rose?

He had surprises tucked in all his pockets. I’ll venture that Laurene will 
discover treats — songs he loved, a poem he cut out and put in a drawer — even 
after 20 years of an exceptionally close marriage. I spoke to him every other 
day or so, but when I opened The New York Times and saw a feature on the 
company’s patents, I was still surprised and delighted to see a sketch for a 
perfect staircase.

With his four children, with his wife, with all of us, Steve had a lot of fun.

He treasured happiness.

Mona Simpson is a novelist and a professor of English at the University of 
California, Los Angeles. She delivered this eulogy for her brother, Steve Jobs, 
on Oct. 16 at his memorial service at the Memorial Church of Stanford 
University.

Then, Steve became ill and we watched his life compress into a smaller circle. 
Once, he’d loved walking through Paris. He’d discovered a small handmade soba 
shop in Kyoto. He downhill skied gracefully. He cross-country skied clumsily. 
No more.

Eventually, even ordinary pleasures, like a good peach, no longer appealed to 
him.

Yet, what amazed me, and what I learned from his illness, was how much was 
still left after so much had been taken away.

I remember my brother learning to walk again, with a chair. After his liver 
transplant, once a day he would get up on legs that seemed too thin to bear 
him, arms pitched to the chair back. He’d push that chair down the Memphis 
hospital corridor towards the nursing station and then he’d sit down on the 
chair, rest, turn around and walk back again. He counted his steps and, each 
day, pressed a little farther.

Laurene got down on her knees and looked into his eyes.

“You can do this, Steve,” she said. His eyes widened. His lips pressed into 
each other.

He tried. He always, always tried, and always with love at the core of that 
effort. He was an intensely emotional man.

I realized during that terrifying time that Steve was not enduring the pain for 
himself. He set destinations: his son Reed’s graduation from high school, his 
daughter Erin’s trip to Kyoto, the launching of a boat he was building on which 
he planned to take his family around the world and where he hoped he and 
Laurene would someday retire.

Even ill, his taste, his discrimination and his judgment held. He went through 
67 nurses before finding kindred spirits and then he completely trusted the 
three who stayed with him to the end. Tracy. Arturo. Elham.

One time when Steve had contracted a tenacious pneumonia his doctor forbid 
everything — even ice. We were in a standard I.C.U. unit. Steve, who generally 
disliked cutting in line or dropping his own name, confessed that this once, 
he’d like to be treated a little specially.

I told him: Steve, this is special treatment.

He leaned over to me, and said: “I want it to be a little more special.”

Intubated, when he couldn’t talk, he asked for a notepad. He sketched devices 
to hold an iPad in a hospital bed. He designed new fluid monitors and x-ray 
equipment. He redrew that not-quite-special-enough hospital unit. And every 
time his wife walked into the room, I watched his smile remake itself on his 
face.

For the really big, big things, you have to trust me, he wrote on his 
sketchpad. He looked up. You have to.

By that, he meant that we should disobey the doctors and give him a piece of 
ice.

None of us knows for certain how long we’ll be here. On Steve’s better days, 
even in the last year, he embarked upon projects and elicited promises from his 
friends at Apple to finish them. Some boat builders in the Netherlands have a 
gorgeous stainless steel hull ready to be covered with the finishing wood. His 
three daughters remain unmarried, his two youngest still girls, and he’d wanted 
to walk them down the aisle as he’d walked me the day of my wedding.

We all — in the end — die in medias res. In the middle of a story. Of many 
stories.

I suppose it’s not quite accurate to call the death of someone who lived with 
cancer for years unexpected, but Steve’s death was unexpected for us.

What I learned from my brother’s death was that character is essential: What he 
was, was how he died.

Tuesday morning, he called me to ask me to hurry up to Palo Alto. His tone was 
affectionate, dear, loving, but like someone whose luggage was already strapped 
onto the vehicle, who was already on the beginning of his journey, even as he 
was sorry, truly deeply sorry, to be leaving us.

He started his farewell and I stopped him. I said, “Wait. I’m coming. I’m in a 
taxi to the airport. I’ll be there.”

“I’m telling you now because I’m afraid you won’t make it on time, honey.”

When I arrived, he and his Laurene were joking together like partners who’d 
lived and worked together every day of their lives. He looked into his 
children’s eyes as if he couldn’t unlock his gaze.

Until about 2 in the afternoon, his wife could rouse him, to talk to his 
friends from Apple.

Then, after awhile, it was clear that he would no longer wake to us.

His breathing changed. It became severe, deliberate, purposeful. I could feel 
him counting his steps again, pushing farther than before.

This is what I learned: he was working at this, too. Death didn’t happen to 
Steve, he achieved it.

He told me, when he was saying goodbye and telling me he was sorry, so sorry we 
wouldn’t be able to be old together as we’d always planned, that he was going 
to a better place.

Dr. Fischer gave him a 50/50 chance of making it through the night.

He made it through the night, Laurene next to him on the bed sometimes jerked 
up when there was a longer pause between his breaths. She and I looked at each 
other, then he would heave a deep breath and begin again.

This had to be done. Even now, he had a stern, still handsome profile, the 
profile of an absolutist, a romantic. His breath indicated an arduous journey, 
some steep path, altitude.

He seemed to be climbing.

But with that will, that work ethic, that strength, there was also sweet 
Steve’s capacity for wonderment, the artist’s belief in the ideal, the still 
more beautiful later.

Steve’s final words, hours earlier, were monosyllables, repeated three times.

Before embarking, he’d looked at his sister Patty, then for a long time at his 
children, then at his life’s partner, Laurene, and then over their shoulders 
past them.

Steve’s final words were:

OH WOW. OH WOW. OH WOW.

Mona Simpson is a novelist and a professor of English at the University of 
California, Los Angeles. She delivered this eulogy for her brother, Steve Jobs, 
on Oct. 16 at his memorial service at the Memorial Church of Stanford 
University.





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