hi mark,

Thank you for sharing this with us, I will definitely take a look on both the 
app and your book.

Mauricio
On Jan 14, 2013, at 7:54 PM, "M. Taylor" <[email protected]> wrote:

> Hello Everyone,
> 
> I use a wonderfully VoiceOver accessible eBook creator called Storyist, on
> my Mac.  The developer has taken every consideration into account with
> regard to blind and low vision users.  
> 
> The thing I like most is that Storyist, assuming that you have used heading
> levels in your document, will generate a table of contents.  If your
> document does not have headings, you can add headings from within Storyist.
> 
> 
> The direct URL for the Storyist website is 
> http://storyist.com 
> 
> Now for my shameless plug:  
> 
> I am delighted to let you know that my latest novel entitled "The Dream
> Factory", has just been published.  Just so you know, I write under the
> pseudonym of Mark Marcus.
> 
> The website for the book, which includes an audio reading sample, a preview
> of the text, and purchasing options is located at:
> http://candleshorepublishing.com/dreamfactory
> 
> The book may be downloaded directly to any Apple device, the Kindle, or
> purchased from Amazon.com in paperback form.
> 
> The cost of the eBook version is $2.99 and the paperback version is $5.99.
> 
> This book is intended for general audiences ages 17 and up.  There is no
> "adult" content.  
> 
> The following link will play a short audio introduction to the book:
> http://candleshorepublishing.com/dreamfactory/bookdemo/DreamFactoryIntroComm
> ercial.mp3
> 
> To go directly to the book in the iTunes Store, click the following link on
> any computer or from within an Apple device::
> https://itunes.apple.com/us/book/the-dream-factory/id591504963?mt=11
> 
> After my signature, I will paste in the book preface and a short preview
> chapter.
> 
> 
> Thank you all for your support.
> 
> Most Sincerely,
> 
> Mark
> 
> BOOK PREFACE:
> Welcome to the Dream Factory, a warm, cozy, and extremely lovely place where
> only the most visceral nightmares and pleasure-driven musings of its
> residents are mercilessly extracted and sold for the pure enjoyment of
> others.   
> 
> Step cautiously as you explore the dimly lighted, extremely narrow, and
> virtually suffocating hallways as groans, screams, moans, and indefinable
> exclamations of unnamed perpetrators, innocent bystanders, and unlikely
> victims, escape from behind coffin lid doors, reach into the very depths of
> your soul, lace icy cold fingers around the heart of your sanity and begin
> to squeeze.
> 
> In this, the second tale from the mind of Mark Marcus, we are taken on a
> highly selective and undeniably insightful excursion into the unplumbed dark
> regions of the human psyche as it tears itself apart separating and exposing
> the raw untamed fury inside from the barely contained and seemingly unmarred
> and untouched flawlessly veneered outside.
> 
> This book will appeal to all those who have ever screamed themselves awake,
> in the midnight hour, only to discover that the true nightmare, from which
> there is no escape, has only just begun.
> 
> BOOK PREVIEW:
> CHAPTER NINE
> 
> A:
> What is your first name?  
> 
> P:
> What?
> 
> A:
> I said, what is your first name?
> 
> P:
> What a silly question.  You know my first name.  
> 
> (The discharge administrator looks at the woman seated in front of her,
> sternly.)
> 
> A:
> I know I told you that nothing you say can or will be used against you but
> if you don't answer my questions I cannot approve your release.  Do you
> understand?
> 
> P (somewhat alarmed):
> Yes.  I understand.
> 
> (The discharge administrator returns her gaze to the paperwork on the
> table.)
> 
> A:
> So, let's start again.  First name?  
> 
> (The woman seated across from the discharge administrator opens her mouth to
> speak and then closes it slowly.)
> 
> P:
> I'm not sure.
> 
> (Tears fill her eyes and she raises her hands to wipe them away.)
> 
> A (not looking up):
> That's okay.  Just sit and think for a moment.  It should come to you.  If
> not, we won't worry about it.  
> 
> (The patient is visibly relieved.)  
> 
> A:
> Next question, age?
> 
> P:
> I'm thirty-seven, yes, I am thirty-seven years old.
> 
> A:
> Date of birth?
> 
> P:
> It's--it's in February.  I can't remember.  I think it's February 6 but I'm
> not sure.
> 
> A:
> Favorite color?
> 
> P:
> I don't have one.  At least, if I did, I don't anymore.
> 
> A:
> What is your last name?  
> 
> P:
> Jax.  My last name is Jax.
> 
> A:
> First name?
> 
> P:
> I don't know.
> 
> A:
> Where were you born?
> 
> P:
> Louisville, Kentucky.
> 
> A:
> What is good?
> 
> P:
> Pardon me?  
> 
> A:
> I said, what is good?  
> 
> P (with a look of confusion):
> I don't know how to answer that.  I don't know what you mean.  What is good?
> Am I to give you a definition?  
> 
> A:
> You may answer in any way you wish, Miss Jax, anyway at all.
> 
> (The patient raises her head as if in some kind of unspoken defiance.)
> 
> P:
> Getting out of this place is good.  Good is anything that doesn't have to do
> with the Dream Factory.  Is that an honest enough answer for you? 
> 
> (A slightly hysterical giggle escapes the patient, at this.)
> 
> (The discharge administrator, raising her eyebrows ever so slightly,
> continues.)
> 
> A:
> What is bad?
> 
> P:
> Bad is not being able to recall my own first name.  Bad is realizing that
> what feels like three years has only been three weeks.  Bad is never wanting
> to close my eyes, in order to sleep, again.  That's bad.  
> 
> A (with no hesitation):
> Marital status?
> 
> P:
> I'm, uh.  I'm married, I think.  I am married.
> 
> (The discharge administrator looks up and stares at the woman seated across
> from her, patiently.)
> 
> P:
> What?  I'm married.  Aren't I married?  
> 
> (The administrator returns her gaze to the paperwork.)
> 
> A:
> Children?
> 
> P:
> None.
> 
> A:
> First name?
> 
> P:
> I don't know, I still can't recall it, not yet.
> 
> A:
> Where were you--
> 
> P:
> Wait.  Am I married?  Is this a dream?  Oh god.  Is this another dream?
> 
> A:
> This is not a dream.  You are very much awake.
> 
> P (with a touch of panic in her voice):
> How do I know you're telling me the truth?  Oh God.  How can I tell?  I
> don't know what's going on.  Why are you asking me these questions?  
> 
> (Lowering her head, she begins sobbing uncontrollably.)
> 
> A:
> Where were you born?
> 
> P:
> I was born in Louisville, Kentucky.  
> 
> A:
> First name?
> 
> P:
> I don't know.  I wish you'd stop asking me that.
> 
> A:
> Marital status?
> 
> P:
> I'm married.  Wait, I'm, I'm a widow.  My husband is dead.  I'm a widow.
> 
> A:
> Date of husband's death?
> 
> (The patient slowly gathers herself and looks at the discharge
> administrator.)
> 
> P:
> Uh, he's been dead for a little while now.  He died a month or so ago,
> right?  Yes, I'm a widow and my husband is dead.
> 
> A:
> Cause of death?
> 
> P (speaking in a low voice that almost escapes the administrator, she
> responds very slowly with):
> I killed him.
> 
> 
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