Epic, I suppose, was and in some ways still is regarded as the supreme art
form, though these days we have lost the art of epic poetry and resort to
other genres, particularly film.  It's supposed to offer the widest
possibilities for the unfolding of a story, for the relationship between
desires, plans and results to be explored and therefore for divine
providence, if there is such a thing, to be interrogated.  It commonly
sets personal stories (Hector and Andromache) against the background of
great events. Thus the greatest challenge to a creative mind is the
writing of a great epic.  If you want to write a great epic your work must
bear comparison with the greatest, which in Virgil's time and to some
extent now means Homer's works.  For Virgil the challenge was to adapt
Homer's ideas about strife, heroism and good government for his own
generation and to the extraordinary Roman predicament - extraordinary
because it combined world power with civil war.  There was also the
challenge to Homer offered by Plato, who thinks that Homer brings religion
into disrepute, and by Epicurus and Lucretius, who think that Homer's
powwer as a poet is the main thing which still keeps religion/superstition
alive.  There is also the question raised by Homer himself about whether
poets are liars and whether they can contribute to the reconstitution of
shattered societies. - Martin Hughes

On Sun, 18 Apr 1999, Erica A Sommerville wrote:

> To Whomever desires to reply,
> I have begun to heavily research Virgil for a research project I have
> coming up. I'm very excited about this but I like to get ideas on why
> Virgil wrote so many passages in his Aeneid that paralleled Homer's
> works. I'm going to look myself at the texts for the specific passages
> and their importance to his influence, but I would like ideas on this
> particular topic. Thank you!
>                       Sincerely, 
>                               Erica 
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