I was reading the ships-to-sea-nymphs bit of Aeneid IX with my GCSE 
(clever 14-year-olds) set today; and told them to go away and think about 
why it's rather strange, and why Virgil might have included it. I've read 
Williams in Harrison's Oxford Readings . . . ; but I wondered if anyone 
had other insights to add.(I'm also looking at Hardie's article on the 
mutability of Rome in Powell (ed) Roman Poetry and Propaganda in the age 
of Augustus)

Caroline Butler
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