I keep on thinking that the 'epic energy' of these days has been
transferred, for good or ill, to films.  There may be some point in
examining modern conceptions of political heroism in the Star Wars or
James Bond cycles.  Not that I can think of a modern fictional character,
depicted in any medium, who operates in a political world and really 
matches the complexity and humanity of Odysseus or Aeneas.  I think that
some such characters, heroes constantly in danger of becoming antiheroes,
do emerge in the film noir genre - and presumably in the underlying 'serie
noire' novels.  These stories tend to be full of political allegory but to
be set against an overtly unpolitical background of 'mean streets'.
Perhaps they are our version of minor epic, 'epyllion', able to explore
a flawed character who is not a political leader but belongs in the
ordinary world, like V's Aristaeus.  He (much less often she) is able to
visit extraordinary places, find some inner resources and have a chance of
doing some good. - Martin Hughes

On Mon, 3 May 1999, Betty Gabriel-Jones wrote:

> At 21:09 2/05/99 EDT, you wrote:
> >    I was trying to make a modern day comparison with a writer/poet to 
> >Virgil. I am having difficulty.
> 
> If it is epic that you are interested in look at any of the modern epic
> writers, from Tolkien to Eddings.  Look at the way that the common themes
> of the epic recur - the journey, the temptations to be overcome, the
> relationship with the gods or supernatural (reduced to a vague mysticism in
> some cases) the magic or holy artifacts - Virgil's shield, Bilbo' ring -
> and the culminating gathering of the forces of good and evil in a final
> battle. Poets are harder, and it depends on what you call modern - there's
> Tennyson's Morte d'Arthur, but thats C19th.  
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