In looking at Aeneas's killing of Turnus, I have had a few Sunday morning
level thoughts:

1. The relationship of Evander to Achises, Aeneas to Evander and Pallas to
Aeneas represents a typically Roman pattern of mutual support and
generational patronage  which must re-inforce Aeneas's natural reaction in
seeing in the death of Pallas the fate which must always hang over his own
and, at this point, only son.  Aeneas is responsible for the boy, and his
sence of Evander's loss is the stronger because he facesthe possibility of
that loss himself
2. Fate has already decided on Turnus's death - a clean kill would have
been better; Vergil accepts that empires, even  peace,  require someone to
get his hands dirty - but how dirty?
3.Tthe poem ends abruptly,  or does it?  At 952 lines the book was not
going to go on much longer - remorse, a funeral and happily ever after seem
unlikely.  We cannot hide behind Vergil's untimely death.  Had Vergil
lived, I believe Turnus would still have died  as he did and the poem ended
with his ghost moaning down the steep path to Hades.  If Vergil had meant
to introduce remorse it would have been there - he was, if we can believe
the lives, beginning his revision not finishing the poem.  To give Augustus
his due, I suspect he read those last lines more in sorrow than in anger as
an honest indictment of the world as it is even more than himself as an
individual.
4.The motif of an unwisely worn piece of booty is an interesting one - I'll
have to take a look at Haber to see if it has beenflagged, but notice the
use of it in Beowul f2047-ff.
Helen COB


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