There is also an interesting treatment of these verses in Gian Biagio
Conte, _The Rhetoric of Imitation_, Cornell Univ Pr, Ithaca-London, 1986
(pp. 85-87). Conte affirms that Ovid read the Aeneid as opening with
Arma virumque -- cf. the allusion at the beginning of the _Amores_ --
but notes that Ovid, too, added a four-line epigram as a preface to
_his_ book.

Incidentally, Marko Marulic (1450-1524), a Croatian poet from Split,
when rendering Petrarca's final canzone, _Vergine bellla..._ in Latin,
wrote at v. 111-112:
Illa, ego quam quondam totis affectibus arsi,
   Occidit et gelido marmore tecta iacet.

Neven
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