Thomas gives so much attention to Callimachus that he ends up slighting the
most important parallel, Pindar Olymp. 6. 1-4  (translated by Thomas in his
note on line 13), and ignoring another, Pindar Pyth. 6.5-18.  The latter
passage provided the inspiration for Horace Odes 3.30, which employs a
similar conceit - although in Horace the comparison actually becomes a
negative one:

Exegi monumentum aere perennius
Regalique situ pyramidum altius,
Quod non imber edax, non Aquilo impotens
Possit diruere aut innumerabilis
Annorum series et fuga temporum.



best,

Phil Thibodeau



-----Original Message-----
From: Neven Jovanovic <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Date: Friday, March 08, 2002 5:59 PM
Subject: VIRGIL: Georgics 3: Building as Metaphor


>My class will be reading the beginning of G. 3 next week... Preparing for
>this event, I began to wonder  what literary parallels there are for
>comparing a work of art to a building/temple (Octavian's temple > the
>Aeneid). I read Thomas' commentary, mentioning fragmentary evidence for
>Callimachus -- but is there anything better documented? No influence on --
>or by -- Virgil is required, it does not even have to be an example from
>antiquity; I would just like to have something to clarify this idea / move.
>What comes to a wandering mind is the Gospel, Jesus speaking of himself as
>the Temple...
>Also, another question--how do you feel the sport events fit into the
>temple/Aeneid metaphor?
>Neven
>
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