CeJ jannuzi at gmail.com 

CB:>>But they changed qualitatively when they became alphabetic and no
longer pictographic.  There was a revolution in their "descent" when
they shifted to alphabetic. They qualitatively shifted from iconic to
arbitrary representation.<<

I doubt if they ever were truly iconic.
^^^
CB: Check out Mixtec or Aztec picture writing.

^^^

 In the shift to represent
glottographic speech, the arbitrary quickly intrudes itself.
^^^^
CB: That's correct, and that's my point here. 

^^^

 Chinese
characters are in effect as arbitrary as a syllabary or an alphabet.

^^^
CB: No not as abitrary. That's why there are so many characters in
Chinese writing.

^^^^
That is not to say, though, that any of these are ENTIRELY arbitrary.
For example, quite unarbitrararily, English spelling points out word
length
^^^^^^^
CB: I don't understand what you mean here

^^^^

 (and at least hints at syllables), word breaks, and most
importantly, word relationships. Not iconic, but linguistically
motivated. English spelling balances phonetic/phonological with
morphemic/lexical elements, making it look a lot like French. Or, if
you will, a Germanic language in terms of pronunciation, looking like
a Latin language.




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