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On 3/22/11 7:41 PM, Leonardo Kosloff wrote:
Not sure Gorojovsky’s distortions need any reply, they pretty much self-refute themselves (which, incidentally, is a form of “proof”). Gorojovsky is G, and I’m LK. G: “As to the Ferreyra murder (the only thing Koslof knows about Galasso is what was his stance on this issue, which paints Koslof as the ignorant sectarian he is), well, let it simply be said that” LK: Ah, we’re about out of ideas, now Goro speculates on what I know or do not know, and since his catechisms cannot for a moment come down to the level of an objective argument it follows I’m an “ignorant sectarian”. Well, being called names by someone who can only call names, doesn’t really do anything for me, guess I need more cowbell. To give Gorojovsky credit, I have not read Galasso’s ‘Peron’ but I skimmed through it (you can see it in google books), if Gorojovsky can refer me to an excerpt where Galasso approaches remotely closely the reasons for Peron’s rise, I’ll be obliged. For the most part I saw a load of quotes about what fulano and mengano said about Peron, (because haven’t you heard? the class struggle is about what people *say*). Followed by distorted narrations, cherry-picked quotes from Peron, etc. etc., curiously I couldn’t find any mention of Peronist repression against, to mention one important case, workers in Tucuman in 1949. But hey, it’s a big book, it must be good… I did read more from Galasso about how he wants to paint the 1810 revolution as led by a group of petty-fogging lawyers which surprise surprise obscures all the social transformation of the time, i.e. the penetration of capitalist relations of production to the core, which was led not by lawyers who didn’t have anything better to do with their time, but pretty bloody Jacobinists like Mariano Moreno.
Is that right? I will be checked and double-checked and please pull for me. Will you pull? How many good ones and how many bad ones? Please I had nothing with him he was a cowboy in one of the seven days a week fight. No business; no hangout; no friends; nothing; just what you pick up and what you need. I don't know who shot me. Don't put anyone near this check~ you might have -please do it for me. Let me get up. heh? In the olden days they waited and they waited. Please give me a shot. It is from the factory. Sure, that is a bad. Well, oh good ahead that happens for trying. I don't want harmony. I want harmony. Oh, mamma, mamma! Who give it to him? Who give it to him? Let me in the district -fire-factory that he was nowhere near. It smoldered No, no. There are only ten of us and there ten million fighting somewhere of you, so get your onions up and we will throw up the truce flag. Oh, please let me up. Please shift me. Police are here.
Communistic...strike...baloney...honestly this is a habit I get; sometimes I give it and sometimes I don't. Oh, I am all in. That settles it. Are you sure? Please let me get in and eat. Let him harass himself to you and then bother you. Please don't ask me to go there. I don't want to. I still don't want him in the path. It is no use to stage a riot. The sidewalk was in trouble and the bears were in trouble and I broke it up. Please put me in that room. Please keep him in control. My gilt edged stuff and those dirty rats have tuned in. Please mother, don't tear, don't rip; that is something that shouldn't be spoken about. Please get me up, my friends. Please, look out. The shooting is a bit wild, and that kind of shooting saved a man's life. No payrolls. No wells. No coupons. That would be entirely out. Pardon me, I forgot I am plaintiff and not defendant. Look out. Look out for him. Please. He owed me money; he owes everyone money. Why can't he just pullout and give me control? Please, mother, you pick me up now. Please, you know me. No. Don't you scare me. My friends and I think I do a better job. Police are looking for you allover. Be instrumental in letting us know. They are English-men and they are a type I don't know who is best, they or us. Oh, sir, get the doll a roofing. You can play jacks and girls do that with a soft ball and do tricks with it. I take all events into consideration. No. No. And it is no. It is confused and its says no. A boy has never wept nor dashed a thousand kim. Did you hear me?
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