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Rob Kapilow is a famous conductor, composer, and popularizer
of classical music.  His NPR series "what makes it great"
explains specific pieces by Mozart, Beehoven, et al, to a
broad audience.  This email here is a comment about
Kapilow's interpretation of Beethoven's Sonata for violin
and piano No 9 Op 47, also called the Kreutzer Sonata.

http://www.npr.org/2009/10/14/113764595/beethovens-kreutzer-sonata-connections

If you follow this link (which is from 2009), you can read:

> The violin plays the opening in a major key, and then the
> piano reinvents it in a minor key.  But what really
> interests Beethoven, Kapilow explains, is how the idea
> ends "with three repeated notes and a resolution down a
> half-step.  Just this tiny little fragment.  And he starts
> working with it, seeing what he can invent out of it,
> trying it again in the violin and in the piano, always
> three repeated notes, and down."

> After a bit, Beethoven whittles the idea down even
> further, fiddling just with the half step, taking it both
> up and down.

In the associated podcast Kapilow speaks this same text in
words while playing Beethoven's motifs on the piano.  The
listener can verify that this is what Beethoven is doing,
and better appreciate the beauty of the music because
Kapilow has made some of the structure explicit which makes
the music beautiful.  The half note interval at the very end
of the introductory passage is so-to-say the atom, the
building block, from which the entire sonata is assembled.


Then Kapilow compares the composer's disassembling and
re-assembling of a musical theme with the creation of the
universe.  This is where he goes too far.  Instead of
interpreting Beethoven, Kapilow uses Beethoven's authority
to promote a mistaken world view, namely downward
reductionism.  It is simply not true that a look at the
atoms puts us into the center of the universe, as Kapilow
says.

Kapilow explains to the listener, correctly, how Beethoven
is looking for connections between his atomic musical
themes.  But Kapilow himself does not give these connections
the ontological priority which they deserve.  On the
contrary, he brings the following example (not on the
website itself but this is the podcast at 4:12):

> It is kind of like, (inaudible) Palestinians and Israelis,
> but Beethoven is always saying, if you look deeper, they
> are just both people.  If you go down to the subatomic
> level, we are all E and F.  And once we realize what we are at
> base, we can make connections that no one would never had
> made before.

This passage has it all backwards.  Kapilow does not acknowledge
how connected everybody living on this planet is and how
dependent we are on each other.  The connections which he
implores the individuals to establish already exist.  The
connection is primary, not the atomization.  Kapilow does
not see that the atomized interactions between individuals
is an artefact of capitalism.  The capitalists are
connected alright but they are pitting the working class
individuals against each other.  Instead of seeing that
society consists of connections, and that we have to change
the social structure in which we are embedded in order to
tear down the walls of the open air prison that is
Palestine, Kapilow thinks that society is made up of atomized
individuals and that these individuals must remember that
the individuals on the other side of the wall are human
beings too, in order for this wall to topple.

Kapilow is preaching all this to the choir in a very literal
sense, namely, to musicians who have devoted their lives to
touching strangers on a deep emotional level, and their
audiences.  Those moved by and interested in Beethoven
usually do not have to be told about the humanity that
connects us all, they listen to Beethoven because they long
to experience this bond.  The admonition to recognize our
joint humanity can therefore not be directed at the
listeners of Kapilow's podcast.  There is no need for these
listeners to act.  This absence is the last thing I would
like to mention in this essay.

Hans G Ehrbar

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