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The insight and modernity of “Workers and Paintings” — not to mention the meta nature — are startling. Throughout Western history, visual art has often been the domain of the educated or moneyed elite. Even when artists like Gustave Courbet broke new ground by depicting working-class people, the art itself still wasn’t meant for them. With her imagination and a careful brush, Ms. Sharrer casts aside thousands of years of tradition and poses a question: What if great art were more accessible to ordinary people? What if we could not only look at it in passing, but spend time or even live with it? With the painting hanging at MoMA, the challenge expands: What if museums weren’t intimidating and costly but more welcoming and inclusive?

https://www.nytimes.com/2019/06/06/arts/design/moma-workers-and-paintings.html
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