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Although the two films under consideration here are obviously not political, I am taking the trouble to review them out of solidarity with an industry that it on the ropes, just like restaurants, health clubs and beauty salons. Since the movie industry is so gargantuan, you might ask why I am bothering. It is because the two films are very smart, indie films that probably cost $5 million each to make. Originally intended for theatrical release, they are part of the “virtual cinema” offerings I am covering until the pandemic winds down.

Just by coincidence, “Dinner Party” and “Becky” share the same type of main character, a female seeking revenge. In “Dinner Party”, it is the wife of a playwright seeking funding for a Broadway production from super-wealthy people living in a mansion in the countryside. Little did the couple realize that they were going to be victims of a cannibalistic ritual performed by a devil-worshipping cult. After her husband’s head has been chopped off, she takes matters into her own hands. In “Becky”, it is a 13-year old girl who takes on a quartet of neo-Nazi escaped prisoners who have already killer her father. To put it succinctly, it is similar plot-wise to “Home Alone” but with gory attacks mounted by the heroine rather than childish pranks by Macaulay Culkin. Both films had my wife and I floating on air after they were done. We both love leftist politics and horror movies, so there.

full: https://louisproyect.org/2020/05/26/dinner-party-becky-grindhouse-masterpieces-on-virtual-cinema/

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