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Welcome to Swans Commentary http://www.swans.com/ April 19, 2010

Note from the Editors:  Since our last publication, the Vatican has 
managed to  bury its anti-Semitism kafuffle by digging itself into an 
ever-deepening hole with  its assertion that celibacy is not to blame 
for pedophilia, but rather  homosexuality. Now that it has unwittingly 
made suspect the sexual orientation of  its priests, thereby 
acknowledging that you can't pray away the gay, how will the  church 
justify its homophobic stance? We'll wait with bated breath for the next 
  sacred spin. Meanwhile, on to more credible matters: Michael Barker's 
  investigation into an ostensibly progressive magazine that works in 
the service of  imperialism may take the breath out of unsuspecting 
progressives, yet it is  essential that we understand these links if we 
wish to influence meaningful  change. Charles Marowitz, for one, would 
like to see a return to honesty and fair  play in politics, unlike what 
was revealed about the combatants in the battle over  health care 
reform. Charles Pearson asks for a bit of outrage over price hikes, 
British politicians' greedy lobbying practices, and the scandal of 
privatization  of the National Health Service, and from Harvey Whitney 
Jr.'s perspective a little  knowledge would go a long way toward holding 
our leaders -- and the voters who  elect them -- accountable for their 
decisions. Case in point: Ghana. Femi  Akomolafe recently traveled to 
Paris to celebrate the fifty-third anniversary of  her independence, 
concluding that Africans remain their own worst enemies...

On Swans we strive to hold journalists and activists, along with voters 
and  politicians, accountable, so Michael Doliner, who studied with 
Hannah Arendt,  addresses Reuven Kaminer's distortion of Arendt's ideas 
on totalitarianism, while  Louis Proyect takes Jared Diamond to task 
over his 2005 book, "Collapse: How  Societies Choose to Fail or 
Succeed." For his part, Paul Buhle continues to  support radical art and 
recommends the new "World War 3 Illustrated #40" for the  freshness of 
topics and treatment by old hands in the enterprise of radical  politics 
and artist-activists.

On the cultural front, Peter Byrne directs a short play in which the 
husband who  just wanted silence gets his comeuppance. Le coin français 
features Jean-Claude Seine on "Justice sociale" and Jean Ferrat's ass 
(of the hooved sort), Simone Alié-Daram's analysis of the precautionary 
principle, Marie Rennard's look at the  history of relics, and the 
poetry of Christian Cottard, who finds love a bit  complicated. We close 
with the linguistic blending of Guido Monte and Novella Nicchitta, and 
your letters with an appeal to Jan Baughman to keep shouting, 
plagiarized praise for Gilles d'Aymery's "The Scourge Of Plagiarism And 
  Scrubbing," two Shays converged in this polyglot, under-financed, 
small piece of  art that keeps fighting for justice; and more.

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Cordially,   Gilles d'Aymery -- Swans

"Hungry man, reach for the book: It is a weapon."  B. Brecht



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