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And an excellent take on this, or at least on the period that led up to it,
and the views of those participants later in 1969 when the film was made, is
"The Sorrow and the Pity" about the history of France and French society in
World War 2.  The only guy who acted like a swaggering victor in the 1969
follow-up interview was actually the former SS officer who after the war
returned to his prosperous rural bourgois (or burger) life in a rural town
and who is shown with his family at one of his sons' weddings holding forth
with the stub of a cigar stuck in his mouth and his discrete little
Wehrmacht veteran pins on his lapel.  Also of interest is the veteran of the
French unit that fought on the Russian Front (Vichy's "Charlemagne Legion"),
a guy who before the war had been a young supporter of the fascist Action
Francais but who by 1969 was living in his opulent palatial 18th Century
house decked out as a trendy forty something Hugh Hefner type ruminating on
the senselessness of so much of it.  "So at this point you're saying your
basically a liberal?" the interviewer asks him to which he responds in a
pensive manner, ". . . you know, I think that's right"[!].  His one big
issue having been when Le Marachal (Petain) refused to see him and his
buddies late in the war in 1945 to lodge a protest against having to now
actually wear German uniforms.  This in the wake of the fall of East Prussia
which he ruminates reminded him with great irony of the scenes in France in
June 1940, but only worse.

It's available on netflix.
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