https://www.nytimes.com/2020/08/11/us/matt-herron-whose-camera-chronicled-a-movement-dies-at-89.html

As a magazine photojournalist, he immersed himself in the South as a witness to 
civil rights marches and clashes. He was killed when the glider he was piloting 
crashed.

[Please keep scrolling -- there are large blank areas separating the text and 
the photographs. I don't know how to eliminate the spaces.]

A civil rights protest in Alabama photographed by Matt Herron.  “Matt had a 
sensitivity to the subject matter and was able to envision it in a way that was 
both powerful, dramatic but also touching,” said Ken Light, a professor of 
photojournalism. Credit... Matt Herron
Sam Roberts ( https://www.nytimes.com/by/sam-roberts )

By Sam Roberts ( https://www.nytimes.com/by/sam-roberts )

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Aug. 11, 2020

* 

* 

Matt Herron ( 
https://lens.blogs.nytimes.com/2014/05/09/a-cultural-history-of-civil-rights/ ) 
, a photojournalist who vividly memorialized the most portentous and promising 
moments from the front lines of the 1960s civil rights movement in the Deep 
South, died on Aug. 7 when a glider he was piloting crashed in Northern 
California. He was 89.

His wife, Jeannine Hull Herron, said Mr. Herron was flying his new 
self-launching glider (he had learned to fly at 70) when it crashed about 125 
miles northwest of Sacramento after taking off from Lampson Field in Lakeport, 
on Clear Lake. He died at the scene. The National Transportation Safety Board 
said the crash was under investigation.

A child of the Depression and a protégé of the Dust Bowl documentarian Dorothea 
Lange, Mr. Herron assembled a team of photographers ( 
https://www.nytimes.com/1991/03/10/books/not-afraid-of-white-folks-anymore.html 
) to capture the clashes between white Southerners and Black protesters, aided 
by their white Freedom Rider allies, as they sought to claim the rights they 
had been legally granted a century before.

Mr. Herron, who worked for newsmagazines, described himself as a “propagandist” 
for civil rights organizations, including the Student Non-Violent Coordinating 
Committee, which gave him rare behind-the-scenes access to its members.

Image
Mr. Herron, in an undated photographed taken by his wife, had behind-the-scenes 
access to the civil rights movement of the 1960s. Credit... Jeannine Herron

His photographs of the civil rights movement appeared in Life, Look, Newsweek 
and other magazines and in books like “This Light of Ours: Activist 
Photographers of the Civil Rights Movement” (2012) and “Mississippi Eyes: The 
Story and Photography of the Southern Documentary Project” (2014).

>From 1963, when he was arrested at a protest to integrate a Maryland amusement 
>park, to 1965, Mr. Herron immersed himself in the South, living there with his 
>wife and two young children. His daughter went to the 16th Street Baptist 
>Church in Birmingham two weeks before a bombing by white supremacists killed 
>four Black girls attending Sunday school there.

On one occasion, he recalled, he strapped his cameras on “like armor plate” for 
protection while being chased by a club-wielding deputy sheriff. “That gave me 
the courage that otherwise I lacked,” he said.

Mr. Herron focused his lens less on the leaders of the marches than on the 
ordinary Black residents who joined them, people who might work manicuring the 
lawns of their white neighbors.

One of Mr. Herron’s most famous photos was of a confrontation with the police 
in Jackson, Miss., in June 1965.

Aylene Quinn, a civil rights worker whose house in McComb, Miss., had been 
firebombed, had come to the state capital with her three young children to 
protest the election of five congressmen from districts where Blacks were not 
allowed to vote. Refused admittance to the Governor’s Mansion, they sat on the 
steps. Mrs. Quinn held a sign that read, “No More Police Brutality. We Want the 
Right to Register and Vote,” while her children waved small American flags.

“Anthony, don’t let that man take your flag,” Mrs. Quinn said as a highway 
patrolman tried to wrench the flag away from her 5-year-old.

“So Anthony holds onto the flag,” Mr. Herron told The Princeton Alumni Weekly ( 
https://paw.princeton.edu/article/mississippi-eyes ) in 2014. (He was a 1953 
graduate.) “The patrolman, Hughie Kohler, probably had never met resistance 
from a small Black child before, and he’s trying to take the flag, Anthony’s 
hanging onto it, and Kohler goes temporarily berserk. So Kohler wrenches the 
flag out of Anthony’s hands. And the gods of chance sent me this sign in the 
background being held by another policeman: ‘No More Police Brutality.’”

Recalling the incident in an oral history project ( 
http://tellingstories.org/civilrights/fullmovies/matt_herron/index.html ) in 
2010, he said, “The simple act of a small child carrying an American flag 
represented defiance of Mississippi law and custom.”

Image

“The simple act of a small child carrying an American flag represented defiance 
of Mississippi law and custom,” Mr. Herron said of one of his most famous 
photographs, taken in 1965 at a voting rights protest in Jackson, Miss. 
Credit... Matt Herron

Matthew John Herron was born on Aug. 3, 1931, in Rochester, N.Y., to Matthew 
and Ruth (Coult) Herron. His mother was a master fabric artist and weaver, his 
father a certified public accountant. Given a camera as a gift, Matthew started 
taking pictures at 7, and his mother built a darkroom in the basement of the 
family’s home. As a teenager he was an Eagle Scout.

Mr. Herron graduated with a bachelor’s degree in English from Princeton in 1953 
and for a time pursued a master’s in Middle East studies and Arabic at the 
University of Michigan with the thought of forging a diplomatic career. He 
never completed the degree, however.

During the Korean War he registered as a conscientious objector and, drawing on 
his Middle East studies, fulfilled part of his service teaching in a Quaker 
school in Ramallah on the West Bank. There he returned to photography. “Matt’s 
heritage was Irish,” his wife said in an email. “He was a natural storyteller.”

Mr. Herron mingled with photojournalists in the Middle East, where he met and 
married Jeannine Hull, who was teaching there. Returning to Rochester, he 
briefly worked as a corporate photographer for Kodak (using a Speed Graphic) 
and was mentored by the landscape photographer Minor White ( 
https://monovisions.com/minor-white/ ) , who taught at the Rochester Institute 
of Technology.

n addition to his wife, who later became a research neuropsychologist, Mr. 
Herron is survived by two children; Matthew Allison Herron and Melissa Herron 
Titone; and five grandchildren.

Image

Volunteers clasped hands at a Student Non-Violent Coordinating Committee 
meeting. Credit... Matt Herron

Mr. Herron wrote a book with his family about their two-year sailing trip to 
West Africa from Florida in 1970; participated in Greenpeace protests against 
commercial whaling; and served as chairman of the Media Photographers 
International Committee. (Besides learning to fly at 70, he learned to play the 
double bass at 80.)

Image

Bobby Simmons, a civil rights marcher, wrote his demand on his forehead in zinc 
oxide sunscreen. Credit... Matt Herron

As a photographer, “Matt had a sensitivity to the subject matter and was able 
to envision it in a way that was both powerful, dramatic but also touching,” 
his colleague, Ken Light, a professor of photojournalism at the University of 
California, Berkeley, said by phone.

He sought ways “to intensify the image,” Mr. Light added, like shooting a 
bombed Black church through the shattered windshield of a parked car.

In an oral history, Mr. Herron recalled the civil rights movement as a 
difficult but also a magical time.

“We embraced each other,” he said. “We sang freedom songs together. We wept 
together. It was the only time in my life that I lived in what I consider a 
truly integrated society, where there were no barriers.”

“I was photographing things that I wanted to photograph,” he added. “I was 
trying to bring to life a political movement which eventually transformed the 
country.”

Sam Roberts, an obituaries reporter, was previously The Times’s urban affairs 
correspondent and is the host of “The New York Times Close Up,” a weekly news 
and interview program on CUNY-TV. @ samrob12 ( https://twitter.com/samrob12 )

* 
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