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> From: H-Net Staff via H-REVIEW <[email protected]>
> Date: September 24, 2020 at 10:40:19 AM EDT
> To: [email protected]
> Cc: H-Net Staff <[email protected]>
> Subject: H-Net Review [H-Buddhism]:  Grace on Victoria, 'Zen Terror in Prewar 
> Japan: Portrait of an Assassin'
> Reply-To: [email protected]
> 
> Brian Daizen Victoria.  Zen Terror in Prewar Japan: Portrait of an 
> Assassin.  Lanham  Rowman &amp; Littlefield Publishers, 2020.  392 
> pp.  $34.00 (cloth), ISBN 978-1-5381-3166-4.
> 
> Reviewed by Stefan Grace (Assistant Editor, Digital Dictionary of 
> Buddhism)
> Published on H-Buddhism (September, 2020)
> Commissioned by Erez Joskovich
> 
> _Zen Terror in Prewar Japan_ centers around a biography of Inoue 
> Nisshō (1886-1967), infamous prewar political agitator and 
> ringleader of a band of murderous activists, told principally through 
> Inoue's own words. The author, Brian Daizen Victoria, deftly handles 
> Inoue's autobiography so that the line between his self-aggrandizing 
> and the additional historical background provided is always clear to 
> the reader. As is obvious from the title of Victoria's book, the two 
> most important hypotheses are that: (1) Inoue's actions make it 
> appropriate to define him as a "terrorist" and (2) though commonly 
> described as a "Nichiren sect priest," Inoue is best understood as 
> being an adherent of Japanese Zen Buddhism. 
> 
> To prove his hypotheses, outside of the eleven chapters on Inoue and 
> general history, Victoria gives roughly equal space to discussing (1) 
> the concept of terrorism and how it applies to Inoue (see esp. 
> chapter 13) and (2) Mahāyāna and Zen Buddhist philosophy and how 
> their ethics--or rather the lack thereof--allow them to be used as an 
> ideological weapon in the hands of terrorists such as Inoue (see esp. 
> chapter 14). While the proofs provided are convincing on the whole, 
> it might be argued, as I will do more fully below, that a slight 
> modification of the hypotheses to focus more on prewar nonsectarian 
> Japanese Buddhism (avoiding the complicated issue of defining 
> "sectarian affiliation" in prewar Japan) and dealing with the concept 
> of fascist violence more generally might have brought a more fruitful 
> result. 
> 
> In this final book of Victoria's trilogy on the relationship between 
> twentieth-century Zen Buddhism and Japanese expansionism and 
> militarism, the author ties up and refines many of the arguments from 
> the earlier two books, _Zen at War_ and _Zen War Stories_.[1] 
> Accordingly, Victoria introduces an abundance of fascinating 
> historical and philosophical side notes throughout, meaning that 
> every chapter provides so much more than its title would suggest. 
> Below, however, I will attempt to summarize its contents as briefly 
> as possible. 
> 
> After a foreword by James Mark Shields of Bucknell University, the 
> preface discusses the reaction, both positive and negative, to the 
> first two, highly influential books of this trilogy. On the negative 
> side, Victoria notes that readers "charged, for example, that my 
> translations of [D. T.] Suzuki's [1870-1966] war-related writings, or 
> those of well-known Zen masters, were taken out of context or 
> exaggerated, or simply mistranslated," while, on the positive side, 
> Robert Aitken wrote, "Victoria exposes the incredible intellectual 
> dishonesty of Japanese Buddhists who perverted their religion into a 
> jingoistic doctrine of support for the emperor and imperial expansion 
> during the period 1868-1945. Good job! We must face this dark side of 
> our heritage squarely" (p. xvi). 
> 
> In the first chapter Victoria defines and briefly discusses the 
> concept of terrorism. Among several possible definitions, he chooses 
> to employ the following as a lens through which to discuss the 
> actions and statements of Inoue: "a tactic employed, typically by the 
> weak, to place pressure on the powerful, especially governments, to 
> do the terrorists' bidding" (p. 2). Victoria claims that the 
> "ultimate goal" of the book is "to take readers inside the mind, 
> inside the very 'skin,' of one terrorist leader, a leader who, 
> together with his followers, felt he had found in his Zen training 
> the basis and justification for acts of terrorism" (p. 8). In my 
> opinion, it would have been helpful for readers conversant in 
> Japanese to have seen a discussion here of the source words that were 
> translated into English as "terrorism" (and its variants).[2] 
> 
> In order to "get into the skin" of the terrorist Inoue, after some 
> historical background in chapter 2, the subsequent chapters recount 
> his life as told through his own words in sources such as the 
> transcripts of his extensive 1933-34 courtroom testimony following 
> the Blood Oath Corps Incident of 1932 and his own 419-page 
> self-aggrandizing autobiography, published in 1953 under the title_ 
> Ichinin, Issatsu _(lit. One Person Kills One [Person])_. _Victoria's 
> reasoning for allowing Inoue to tell his own story is inspired by the 
> work of Norman Cohn, from which Victoria draws the conclusion that 
> the only way to "truly understand the 'subterranean world' Inoue and 
> his band members inhabited" is by entering that world and "walking in 
> their footsteps" (p. 4). Victoria cautions, however, that entering 
> Inoue's world is not a positive acknowledgment of the repugnant 
> thoughts of terrorists (p. 4) or of the actions of Inoue that 
> "changed, with tragic consequences, the course of modern Japanese 
> history" (p. 5). 
> 
> Chapter 13 mainly tackles the issue of terrorism and Inoue's 
> relationship with it. However, subsections "Toward a Theoretical 
> Understanding," "An Alternative Possibility," and "Who Benefits?" 
> present alternative models, outside the lens of terrorism, for 
> understanding Inoue's actions and the phenomenon of ideological 
> assassinations in general. One of the suggestions points to the 
> early-postwar work of political scientist Maruyama Masao, who makes 
> use of the idea of "fascism from above and fascism from below" to 
> place the actions of figures such as Inoue on the lowest rung in a 
> hierarchy of "Shrine," "Official," and "Outlaw" fascism. Another 
> method presented here for understanding Inoue's actions is by way of 
> "a question that is key to legal and police investigations: 'Cui 
> bono?'" (p. 184). Here, Victoria raises the question of whether 
> powerful and influential men, such as Tōyama Mitsuru, may have been 
> the "voice of Heaven" who directed Inoue's "actions at pivotal 
> moments in his life" (p. 185), conceivably with Emperor Hirohito 
> pulling the strings behind the scenes and using Inoue as a hitman. 
> 
> As Victoria indicates in the acknowledgments at the opening of his 
> book, Herbert Bix, author of the Pulitzer Prize-winning book 
> _Hirohito and the Making of Modern Japan_ (2000), was an important 
> influence in making it clear to Victoria that "Emperor Hirohito's 
> wartime role was far more important than his popular image as a 
> powerless puppet of Japan's military leaders" (p. ix). It is clear 
> that Bix's work, in combination with the important questions Victoria 
> raises, provides grounds for renewed analyses of the prewar period in 
> Japan. Through the suggestion of these alternate models, Victoria 
> opens the path for interesting future research that further explores 
> the wider, multifaceted concept of fascism in prewar Japan and the 
> role of the emperor in political violence. 
> 
> Chapter 14, "Unraveling the Religious Matrix," explores Victoria's 
> second main hypothesis, namely that it is most appropriate to 
> understand Inoue's spiritual beliefs as being reflective of 
> affiliation with Zen. The chapter discusses the characteristics of 
> the Nichiren sect, to which Inoue is commonly ascribed affiliation, 
> and through an analysis of its history, argues that Inoue should not 
> be considered an adherent of such for two main reasons: (1) while 
> Inoue showed deep interest in both Zen and the writings of Shinran 
> (who is primarily followed by the True Pure Land sect), the Nichiren 
> sect "demanded every other sect of Buddhism in Japan be destroyed as 
> _jakyō_ (false teachings)" (p. 200) and (2) "Nichirenism had its own 
> unique political program" (p. 201), which meant that Inoue would have 
> to abandon his complete faith in the emperor, with the latter taking 
> second place to the authority of the Nichiren sect leaders. 
> 
> This chapter also discusses the famous story of the Buddha 
> "compassionately" murdering a robber, as told in the _Upāyakauśalya 
> Sūtra_ (The Skill in Means Sutra), to highlight the fact that 
> sophistry has been used in both the Therāvada and Mahāyāna 
> traditions since ancient times to justify acts of violence (see esp. 
> p. 206). Although Victoria claims that a longer analysis of Buddhist 
> ethics is outside the scope of the present work (p. 220), as a reader 
> I was left wanting more on this topic and would have liked to see 
> Victoria's take on a few of the many Zen _kōan_ that explicitly deal 
> with themes of violence, iconoclasm, or antinomianism such as 
> "Nanquan Kills a Cat" (_Biyanlu_, Case 63), on which Inoue is known 
> to have lectured (p. 113). Although the chapter indirectly discusses 
> the antinomianism that has long been read into the ethical worldview 
> of Chan/Seon/Zen, Victoria strangely never mentions this term, 
> perhaps in order to make the ideas more understandable for a wider 
> audience. In any case, it would have been useful to hear his take on 
> the validity of applying this term, particularly in the context of 
> arguments such as that made in D. T. Suzuki's _Nihonteki reisei_ 
> (Japanese Spirituality; 1944) regarding Christian antinomianism and 
> the rejection of the possibility of such in Japanese Zen.[3] 
> 
> In chapter 15, Victoria provides a conclusion to his trilogy of works 
> on Japanese Zen and violence, stating that "Zen, at least in its 
> Japanese form, is essentially 'ethics-less'" (p. 221). This is 
> apparently due to the fact that Zen monks promoted the teachings of 
> Confucianism "in order to provide a religious sanction for the 
> existing social order," which meant a "reciprocal relationship of 
> justice between superiors, who ought to be benevolent, and 
> subordinates, who are required to be loyal to their superiors" (p. 
> 222). This reciprocity later becomes a one-way relationship, with 
> citizens having an unconditional filial obligation to obey the 
> emperor, and this obligation was reinforced by prominent Zen 
> figures--leading Victoria to opine that this "ethics of unquestioning 
> loyalty unto death" was "the very antithesis of Buddhist ethics." 
> Personally, however, I find this opinion questionable. That is to 
> say, considering the previous chapter on Buddhist ethics throughout 
> history and the ensuing discussion in chapter 15 on Buddhist 
> justifications for violence, it seems a "No true Scotsman" fallacy to 
> argue that Zen philosophy, in particular, is the antithesis of 
> Buddhist ethics. In Victoria's own words, "As much as Buddhists, East 
> and West, may seek to deny it, Buddhism has a long history of 
> justifying killing, one way or the other" (p. 230). The remainder of 
> the book is composed of an epilogue that contextualizes the issue of 
> terrorism in our own times, with reference to events in the United 
> States and other countries, and a set of three appendices that 
> provide important and interesting historical background to the events 
> outlined in the main body. 
> 
> The overarching hypothesis of this book, and the trilogy as a 
> whole--namely that Zen lent fertile intellectual ground to Japanese 
> expansionism and militarism--is convincingly argued. However, as an 
> important part of the significance of this particular work lies in 
> the possible implications of high-ranking figures' involvement in 
> political violence, it may be argued that the term "terrorist" 
> conversely obfuscates the point. On the one hand, Victoria bases his 
> labeling on the fact that terrorism is "a tactic employed, typically 
> by the weak, to place pressure on the powerful, especially 
> governments, to do the terrorists' bidding." On the other hand, 
> however, the fifty-odd pages of appendices and other content 
> throughout the main body seem very much designed to insinuate that 
> Inoue was well connected to highly influential men who may have been 
> controlling his actions for their own gain. What is more, the 
> insinuation is made (particularly in the section on Tōyama Mitsuru, 
> pp. 293-95) that Emperor Hirohito may have supported--or even 
> directed--Inoue's terrorist acts. Surely Hirohito was the polar 
> opposite of "weak." And, while Inoue is on record referring to 
> himself as a terrorist (as noted above), why should we take him at 
> his word when there is evidence to suggest misdirection may have 
> benefited him? 
> 
> When we turn to the issue of Inoue's status as an adherent of the Zen 
> sect, it is important to note that Victoria's model for defining what 
> counts as a "Zen Buddhist" in this book appears to be mainly based on 
> the writings of D. T. Suzuki (see esp. p. xvi). However, as Richard 
> Jaffe has pointed out, Suzuki's flavor of intellectualized Buddhism 
> becomes more coherent when understood as a combination of various 
> religious and philosophical thought traditions of both "East" and 
> "West."[4] I believe that an important clue to understanding Suzuki 
> can be found in Judith Snodgrass's suggestion that his understanding 
> of Buddhism took on a variety of different names over his long 
> lifetime--with him first promoting it as "Mahāyāna Buddhism," then 
> "Eastern Buddhism," and then "Zen"--but that the content remained 
> essentially the same throughout.[5] That is to say, "Zen," in this 
> case, refers less to the temple-based sect as traditionally 
> conceived, and more to the idiosyncratic lay spirituality embraced by 
> Suzuki and other contemporaneous intellectuals such as Inoue 
> Enryō--with this spirituality being popularly consumed by Japanese 
> intellectuals in the prewar period under the banner of "Buddhism." 
> 
> Viewing Suzuki in this light makes it necessary to question the 
> legitimacy of labeling other prewar lay Buddhists, such as Inoue 
> (Nisshō), as being strictly affiliated to any given sect. As in the 
> case of "terrorism," Inoue certainly does refer to himself as being 
> an adherent of Zen (see, e.g., pp. 114 and 200), but Inoue's own 
> statements muddy the waters on this issue: "I don't belong to any 
> particular sect. My family was affiliated with the Rinzai Zen 
> sect.... However, at present, my thoughts are almost entirely those 
> of the Mahāyāna school of Buddhism" (p. 145). Note here that 
> Snodgrass argued that Suzuki also saw himself primarily as a 
> "Mahāyāna Buddhist" early in his writing career. Perhaps in this 
> comment, Inoue had intended to ascribe himself membership to a 
> similar sort of intellectualized lay Buddhism. Another issue relevant 
> to explore would be the existence of "pan-Buddhist" organizations 
> such as Myōwa-kai, which Victoria mentions in relation to its 
> support of Japan's full-scale invasion of China in 1937 (p. 219). 
> Perhaps it would be appropriate to understand Inoue's thought more in 
> the context of prewar intersectarian movements such as the Myōwa-kai 
> or against the background of efforts by those such as Henry Steel 
> Olcott and the Theosophical Society to unify the different sects of 
> Buddhism. 
> 
> On a related note, Victoria discusses Inoue's second and most 
> profound major spiritual experience, which occurred while in prison, 
> and details how it was primarily brought on through a contemplation 
> of the writings of Shinran (1173-1263). The authenticity of this 
> experience, Victoria tells us, was praised by Rinzai Zen master 
> Yamamoto Gempō; however, Victoria's explanation of Inoue's 
> overcoming of "what the Zen sect calls the "no-self "(_muga_)" could 
> be misleading for some readers (p. 110). That is to say, it is very 
> important to note that the term _muga_ is not at all exclusive to 
> Zen. And, the obvious question would be, how is _muga_ treated in the 
> context of Shinran's writings? Although it does not appear 
> frequently, it can be seen as part of a quote from the _Nirvāṇa 
> Sūtra _in Shinran's magnum opus, the _Kyōgyōshinshō_. Fittingly, 
> there is an English translation of this passage by none other than D. 
> T. Suzuki himself, who renders _muga_ as "no ego": 
> 
> "There is really no such thing as murder. Even when the ego really 
> exists, no harm comes out of the act of murdering. If there is _no 
> ego_, what harm can come out of it? Why? If there is an ego, the ego 
> is not subject to change; it is eternal. It then cannot be killed.... 
> How can we make a criminal case out of killing? If there is _no ego_ 
> at all, all things are impermanent. If impermanent, they go through 
> changes every moment. As they are constantly reduced to nothing, both 
> the killer and the killed are also constantly reduced to nothing. 
> This being so, who is to be considered guilty? [italics mine]" (p. 
> 166).[6] 
> 
> Here, the_ Nirvāṇa Sūtra_ (at least in Shinran's Japanese 
> translation) lays out, albeit in the "heretical" voice of court 
> minister Kichitoku, a logic under which murder becomes not only 
> permissible but irrelevant and no hindrance to salvation. While a 
> conclusive analysis of Inoue's relationship with the thought of 
> Shinran is beyond the scope of this review and my own exegetical 
> skills, the above quote seems to be of sufficient relevance to 
> warrant further investigation. Regardless of the result of such, I 
> would argue that the issue of Inoue's exclusive affiliation to the 
> Zen sect requires more attention. 
> 
> Although obviously only a matter of personal taste, I would have 
> preferred to have seen the focus on Zen in_ Zen Terror in Prewar 
> Japan_ being shifted more to an exploration of nonsectarian Buddhism. 
> The sections on terrorism could have been greatly reduced or excluded 
> to be replaced with a discussion of the larger issues of fascism and 
> political violence. And, it would have perhaps improved the flow of 
> the book to have the appendices reworked into the main body, given 
> their great importance to the central themes. Victoria's use of the 
> unreliable autobiographical emic narrative of a terrorist carefully 
> juxtaposed with objective historical facts, etic categorization, and 
> elements of what was at the time "pop" Japanese Buddhist philosophy 
> (I am referring here to works such as those by Suzuki) is an 
> interesting methodologic template for future studies. It might be 
> opined, however, that in bringing personal narratives more into focus 
> in Buddhist studies, we must be ever more vigilant in balancing them 
> correctly to avoid falling back into a Carlyle-esque "Great Man" 
> modernist worldview or into a world of moral relativism where values 
> and "goodness" become irrelevant. 
> 
> One of the great benefits of this book is bringing back more squarely 
> into view an understanding of Japan's wartime aggression as a 
> backdrop to understanding modern Japanese Buddhism in today's time of 
> political correctness. Victoria refers to or implies several times 
> the greed of Western countries in their expansionism in Asia, and it 
> is important to note that _Zen Terror in Prewar Japan_ is not "Japan 
> bashing." Rather, it shows how Japan and Japanese Buddhism are not 
> somehow mystically superior to the West and Western Christianity, but 
> rather are similarly culpable when it comes to their morally 
> questionable histories. While the book feels to me like several 
> monographs squeezed into one, Victoria provides so many helpful and 
> interesting resources in this book that any small flaws are dwarfed 
> by its overall importance. Regardless of the ultimate validity of its 
> hypotheses, the book is sure to open new paths for researchers 
> concerning the idea of modern Japanese Buddhism and political 
> violence. I personally found that it reinvigorated my own interest in 
> the topic and provided many important leads to follow, particularly 
> in connection with the role Buddhist philosophy may have played in 
> advice given to the emperor by his inner circle. 
> 
> Notes 
> 
> [1]. Brian Daizen Victoria, _Zen at War_ (New York: Weatherhill, 
> 1997), and _Zen War Stories_ (London: Routledge, 2002). 
> 
> [2]. That being said, an investigation of Victoria's sources where 
> Inoue directly or indirectly refers to his own actions as "terrorism" 
> (see, e.g., pp. 154 and 190) shows that Inoue actually used the 
> katakana loanword "_tero_," which is satisfying to know in light of 
> the accusations Victoria mentions of misdirection or mistranslation 
> in previous works. 
> 
> [3]. I refer here to the printing of _Nihonteki reisei_ found in vol. 
> 8 (1999) of the 1999-2003 edition of Suzuki's complete collected 
> works, _Suzuki Daisetsu zenshū, _40 vols. (Tokyo: Iwanami Shoten); 
> see pp. 132-33. 
> 
> [4]. See Richard Jaffe, ed., _Selected Works of D. T. Suzuki, Volume 
> I: Zen_ (Berkeley: University of California Press, 2015), 
> introduction, esp. pp. xiii-xv. 
> 
> [5]. Judith Snodgrass, "Japan's Contribution to Modern Global 
> Buddhism: The World's Parliament of Religions Revisited," _The 
> Eastern Buddhist _43, nos. 1 and 2 (2012): 81-102; see pp. 82-83 and 
> 100. 
> 
> [6]. Daisetz Teitarō Suzuki, trans., _Shinran's Kyōgyōshinshō: 
> The Collection of Passages Expounding the True Teaching, Living, 
> Faith, and Realizing of the Pure Land, _ed. The Center for Shin 
> Buddhist Studies under supervision of Sengaku Mayeda (New York: 
> Oxford University Press, 2012). Note that this particular version of 
> Suzuki's translation, completed circa 1965, was first published in 
> this edition. See Shinshū Seiten Henshū Iinkai, ed., _Shinshū 
> seiten_ (Kyoto: Higashi Honganji, 1978), p. 256, for the True Pure 
> Land sect's version of Shinran's quote of the _Nirvāṇa Sūtra_. 
> 
> Citation: Stefan Grace. Review of Victoria, Brian Daizen, _Zen Terror 
> in Prewar Japan: Portrait of an Assassin_. H-Buddhism, H-Net Reviews. 
> September, 2020.
> URL: https://www.h-net.org/reviews/showrev.php?id=55549
> 
> This work is licensed under a Creative Commons 
> Attribution-Noncommercial-No Derivative Works 3.0 United States 
> License.
> 
> 


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