"Not just a collective production, Night of the Living Dead was a film whose meaning was created by its audience—or rather audiences—as it short-circuited established patterns of publicity and exhibition. After its initial run in grind-houses and drive-ins, the movie was re-released the next summer with an eye to black audiences, on a double bill with Slaves, another Walter Reade production, the crude but effective anti-Gone with the Wind made by the former member of the Hollywood Ten and *unrepentant Marxist* Herbert Biberman." [A man after your own heart Louis!]
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