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From: H-Net Staff via H-REVIEW <[email protected]>
Date: Mon, Oct 5, 2020 at 4:37 PM
Subject: H-Net Review [H-Africa]: Wynne-Jones on Walker, 'Islands in a
Cosmopolitan Sea: A History of the Comoros'
To: <[email protected]>
Cc: H-Net Staff <[email protected]>


Iain Walker.  Islands in a Cosmopolitan Sea: A History of the
Comoros.  Oxford  Oxford University Press, 2019.  272 pp.  $59.95
(cloth), ISBN 978-0-19-007130-1.

Reviewed by Stephanie Wynne-Jones (University of York)
Published on H-Africa (October, 2020)
Commissioned by David D. Hurlbut

_Islands in a Cosmopolitan Sea_ is a marvelous, engaged book in which
Iain Walker charts the social, religious, political, and economic
context of the Comorian archipelago over the last two millennia. He
does this with the assurance of a scholar deeply immersed in his
subject matter, whose own engagement with the area is of long
standing. The result is authoritative, comprehensive, and compelling.
Walker begins with a recognition that most people have no knowledge
of the archipelago; this entire book stands as a rebuke to that
neglect, with the Comores emerging as a fascinating and cosmopolitan
society, long a fulcrum in international networks of trade and
migration.

There is no other book that offers this approach to the whole
archipelago from earliest settlement onward, despite some notable
works on the colonial period and on individual islands, including the
author's own study of Ngazidja.[1] A very fine tradition of Indian
Ocean history has not quite done justice to the islands, which exist
at the edges of the precolonial and colonial world systems. As Walker
notes, they are neither fully part of the Swahili coast of eastern
Africa, nor comparable to nearby Madagascar. _Islands of
Cosmopolitanism_ demonstrates that the archipelago deserves to be
discussed in its own right, and as an interconnected entity.
Throughout the book, inter-island dynamics are shown to be crucial to
the ways that society and economy have developed, with networks of
resources and--above all--people creating a fundamentally Comorian
identity that binds the islands together. In this context, the
separation of Maore (Mayotte) through French colonial rule and
subsequent departmentalization emerges as a "deeply symbolic and
prosaically economic" fracture that shapes the archipelago's
contemporary ability to prosper (p. 232).

The history of the Comores is written here by an anthropologist and
this is evident in the ways that structural themes shape the
narrative. Beginning with the earliest settlers of the islands,
through the maritime trading powers of 1000 CE onward, and into the
period of European colonial rule, Walker points to the continuities
and structural resonances between disparate historical moments. For
example, Walker demonstrates the ways that a traditional matrilineal
system of descent has intersected with patrilineal genealogies
developed through centuries of Islam, leading to a unique set of
accommodations between the two. A lovely example of this is seen in
the Ngazidja and Mayotte versions of the "Shirazi" origin story found
in various forms along the East African coast. This tale often refers
to a set of male founding fathers for a Shirazi lineage in coastal
towns. In the Comorian versions, it was instead Shirazi princesses
who arrived and married locally; their descendants established a male
leadership for the islands that satisfied both matrilineal and
patriarchal principles (p. 39). Yet Walker cautions against searching
for "pre-Islamic" and "Islamic" forms within cosmopolitan Comorian
culture, preferring instead a model of long-standing tension and
accommodation between local and foreign influences that has shifted
and developed over time. It is the tension between these systems
rather than some established syncretism that continues to shape
Comorian society.

Walker also explores the _āda na mila_ (customs and traditions) that
have structured historical and contemporary interactions. Some of the
best-known and prominent of these are elaborate wedding rituals,
particularly on Ngazidja. These ceremonies mark the transitions
between different age grades and mediate acceptance for men into
public and political life. Walker shows how the current emphasis on
marriage dates back to the early twentieth century and to identity
negotiations that followed the abolition of slavery. Yet it seems
that the provision of a community meal and the status that this
conferred has long been one of the ways Comorians negotiated social
capital; in this there are parallels elsewhere on the Swahili coast,
both in the recent and more distant past. In the Comorian case, far
from being an archaic tradition, the āda performs a crucial function
today, as a lynchpin of the remittance economy and a reference point
tying the broad Comorian diaspora to its homeland.

_Islands of Cosmopolitanism_ explores these themes through eight
chapters that take the reader from the origins of settlement to the
present day. In doing so, it moves deftly between different forms of
evidence, with an admirable summary of archaeological evidence and
oral traditions for the first millennium, moving through the
historically denser second millennium into the European colonial
period and beyond. A Comorian eye view on this trajectory sees the
coming and going of different visitors and economic players, all
incorporated and exploited by Comorian society. This feature of the
Comores has often been noted, as the inhabitants have been skilled at
exploiting shifting international currents in the western Indian
Ocean, resulting in the islands' consistent importance as waypoints
and provisioning stations for European navigators from the Portuguese
onward. Ultimately, with British and then French colonialism, the
Comores lost out in this system. The chapters exploring colonial
exploitation of the islands are replete with neglect,
underdevelopment, and downright manipulation. Walker has written on
these themes before: the postcolonial history of the Comores is a
devastating story in which a marginalized nation's attempts at
self-government have been hampered time and again by French
intervention, internal tensions, and international indifference. It
is interesting to note Walker's point that the daily life of
Comorians has been to some extent untouched by these high-level
machinations of a political class. Nonetheless, they have been deeply
affected by the economic marginalization and political instability
they have created.

The book ends with a description of Comorian society and people. This
reader enjoyed this section particularly and would have liked more
detail on the social groups and practices described. This is,
however, available elsewhere, whereas the strength of this volume is
in the ways it draws together the history and anthropology of the
Comores into a long historical narrative. It ends rather sadly, with
an acknowledgement of the struggles of contemporary Comorian society
and the deeply disruptive nature of the separation of Mayotte on the
ability to develop as a nation. After such a journey through the
history of the archipelago, with such a persuasive argument for the
unique and interconnected character of the islands, the division
emerges as particularly troubling. Nonetheless, this downbeat ending
does not detract from the vibrancy, creativity, and endurance of
Comorian culture that we see revealed in these pages. Walker has
turned the more standard approach to Indian Ocean history on its
head, exploring large-scale currents through a focus on a particular
location often perceived as lying on the margins. The result is a
model of the ways we might seek to understand large-scale histories
at a human level, with all the complexity and tragedy that this
brings.

Note

[1]. Iain Walker, _Becoming the Other, Being Oneself: Constructing
Identities in a Connected World _(Newcastle: Cambridge Scholars
Publishing, 2010).

Citation: Stephanie Wynne-Jones. Review of Walker, Iain, _Islands in
a Cosmopolitan Sea: A History of the Comoros_. H-Africa, H-Net
Reviews. October, 2020.
URL: https://www.h-net.org/reviews/showrev.php?id=54761

This work is licensed under a Creative Commons
Attribution-Noncommercial-No Derivative Works 3.0 United States
License.




-- 
Best regards,

Andrew Stewart


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