I read this to my husband, a student of both Johnson and Henry-Russell 
Hitchcock.  He looked up and asked, “Have gay intellectuals defended them?”   

> On Dec 5, 2020, at 11:59 AM, Louis Proyect <[email protected]> wrote:
> 
> (I fully expect Thomas Chatterton Williams to take up Johnson's defense 
> against "cancel culture".)
> 
> Artists Ask MoMA to Remove Philip Johnson’s Name, Citing Racist Views
> A group of more than 30 artists and academics have signed a letter asking 
> institutions like the Museum of Modern Art to excise the influential 
> architect’s name from their spaces.
> 
>  
> <https://www.facebook.com/dialog/feed?app_id=9869919170&link=https%3A%2F%2Fwww.nytimes.com%2F2020%2F12%2F03%2Farts%2Fdesign%2Fphilip-johnson-moma.html%3Fsmid%3Dfb-share&name=Artists%20Ask%20MoMA%20to%20Remove%20Philip%20Johnson%E2%80%99s%20Name%2C%20Citing%20Racist%20Views&redirect_uri=https%3A%2F%2Fwww.facebook.com%2F>
>  
> <https://twitter.com/intent/tweet?url=https%3A%2F%2Fwww.nytimes.com%2F2020%2F12%2F03%2Farts%2Fdesign%2Fphilip-johnson-moma.html%3Fsmid%3Dtw-share&text=Artists%20Ask%20MoMA%20to%20Remove%20Philip%20Johnson%E2%80%99s%20Name%2C%20Citing%20Racist%20Views>
>  
> <mailto:?subject=NYTimes.com%3A%20Artists%20Ask%20MoMA%20to%20Remove%20Philip%20Johnson%E2%80%99s%20Name%2C%20Citing%20Racist%20Views&body=From%20The%20New%20York%20Times%3A%0A%0AArtists%20Ask%20MoMA%20to%20Remove%20Philip%20Johnson%E2%80%99s%20Name%2C%20Citing%20Racist%20Views%0A%0AA%20group%20of%20more%20than%2030%20artists%20and%20academics%20have%20signed%20a%20letter%20asking%20institutions%20like%20the%20Museum%20of%20Modern%20Art%20to%20excise%20the%20influential%20architect%E2%80%99s%20name%20from%20their%20spaces.%0A%0Ahttps%3A%2F%2Fwww.nytimes.com%2F2020%2F12%2F03%2Farts%2Fdesign%2Fphilip-johnson-moma.html%3Fsmid%3Dem-share>
>
> 
> 
> Credit...Jane Beiles for The New York Times
>  <https://www.nytimes.com/by/sarah-bahr>
> By Sarah Bahr <https://www.nytimes.com/by/sarah-bahr>             
> NYT, Dec. 3, 2020
> Philip Johnson was one of the most influential architects of the past 
> century, chameleonic in each of his roles as a New York power broker, art 
> collector and creator of his “Glass House 
> <https://www.nytimes.com/2007/07/06/arts/design/06glas.html>,” a celebrated 
> landmark of modernist design in Connecticut.
> He also championed racist and white supremacist viewpoints in his younger 
> years. Johnson’s Nazi sympathies, for example, have been well documented, and 
> he spent the years after World War II trying to distance himself from them.
> 
> ADVERTISEMENT
> Continue reading the main story 
> <https://www.nytimes.com/2020/12/03/arts/design/philip-johnson-moma.html#after-story-ad-1>
> The letter was signed by the contemporary artist Xaviera Simmons; the 
> landscape architect and MacArthur fellow Kate Orff; and V. Mitch McEwen, an 
> assistant professor of architecture at Princeton University, who is among 
> eight of the 10 architects in an upcoming exhibition at MoMA — 
> “Reconstructions: Architecture and Blackness in America 
> <https://www.moma.org/calendar/exhibitions/5219>” — that is slated to open 
> Feb. 20.
> It cites Johnson’s “widely documented” advocacy for white supremacist views, 
> his attempt to found a fascist party in Louisiana, and failure to include 
> work by a single Black artist or designer in MoMA’s collection during his 
> tenure there. (He served in various roles over six decades.) The letter 
> called on any institutions using his name to remove it.
> Gift Subscriptions to The Times, Cooking and Games.
> Starting at $25. 
> <https://www.nytimes.com/subscription/gift?campaignId=9LHRQ&channel=ometered&areas=inlineUnit&campaign=coregift>
> “He not only acquiesced in but added to the persistent practice of racism in 
> the field of architecture,” the letter said, “a legacy that continues to do 
> harm today.”
> Johnson’s name has been on one of the exhibition galleries at the Museum of 
> Modern Art, where he served as its first head of architecture and design, 
> since 1984. His name is also included in the title of the museum’s chief 
> curator of architecture and design.
> Johnson created buildings that are widely considered architectural 
> masterpieces of the 20th century, among them the MoMA sculpture garden and 
> the pavilion that houses pre-Columbian art at the Dumbarton Oaks estate in 
> Washington. The New York Times critic Paul Goldberger praised him as American 
> architecture’s “godfather, gadfly, scholar, patron, critic, curator, and 
> cheerleader” in his obituary 
> <https://www.nytimes.com/2005/01/27/world/americas/obituary-philip-johnson-98-a-monumental-force-on-us.html>.
> Editors’ Picks
> 
> 
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> 
>  
> <https://www.nytimes.com/2020/11/13/t-magazine/gout-tormenting-masses.html?action=click&algo=als_engaged1_desk_filter&block=editors_picks_recirc&fellback=false&imp_id=882909158&impression_id=69fa81a0-3723-11eb-8a4b-c3333ce55322&index=0&pgtype=Article&region=ccolumn&req_id=780361296&surface=home-featured&action=click&module=editorContent&pgtype=Article&region=CompanionColumn&contentCollection=Trending>
> 
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> 
>  
> <https://www.nytimes.com/2020/12/02/movies/godfather-coda-francis-ford-coppola.html?action=click&algo=als_engaged1_desk_filter&block=editors_picks_recirc&fellback=false&imp_id=185936657&impression_id=69fa81a1-3723-11eb-8a4b-c3333ce55322&index=1&pgtype=Article&region=ccolumn&req_id=780361296&surface=home-featured&action=click&module=editorContent&pgtype=Article&region=CompanionColumn&contentCollection=Trending>
> 
> Pedophile Scandal Can’t Crack the Closed Circles of Literary France
> 
>  
> <https://www.nytimes.com/2020/11/28/world/europe/france-literary-prizes-matzneff.html?action=click&algo=als_engaged1_desk_filter&block=editors_picks_recirc&fellback=false&imp_id=982346738&impression_id=69fa81a2-3723-11eb-8a4b-c3333ce55322&index=2&pgtype=Article&region=ccolumn&req_id=780361296&surface=home-featured&action=click&module=editorContent&pgtype=Article&region=CompanionColumn&contentCollection=Trending>
> Continue reading the main story 
> <https://www.nytimes.com/2020/12/03/arts/design/philip-johnson-moma.html?action=click&module=editorContent&pgtype=Article&region=CompanionColumn&contentCollection=Trending#after-pp_edpick>
> ADVERTISEMENT
> Continue reading the main story 
> <https://www.nytimes.com/2020/12/03/arts/design/philip-johnson-moma.html#after-story-ad-2>
> But in his younger years, he openly admired 
> <https://www.newyorker.com/culture/dept-of-design/philip-johnson-the-man-who-made-architecture-amoral>
>  Hitler’s manifesto, “Mein Kampf,” attended Nazi rallies in Germany and was 
> investigated by the F.B.I. 
> <https://paleofuture.gizmodo.com/one-of-americas-most-famous-architects-was-a-nazi-propa-1566021324>
>  for his connections to the Nazi party. He rejected Nazism after the end of 
> World War II.
> Representatives from MoMA and Harvard did not immediately respond to requests 
> for comment on Thursday. But in an email on Friday, a MoMA spokeswoman said, 
> “The museum is taking this issue very seriously and is extensively 
> researching all available information.”
> Ms. Orff, the landscape architect and MacArthur fellow, said in an email on 
> Thursday that removing Johnson’s name from the gallery and the curator 
> position would represent a significant step in dismantling racism in design 
> culture.
> “Landscape architecture is catching up in its assessment of its own legacy,” 
> Ms. Orff said. “To move forward with a more imaginative, just, and equitable 
> culture in the design fields, we have to reckon with past figures who set the 
> ground rules.”
> Sarah Bahr is a reporter on the Culture desk and a member of the 2020-2021 
> New York Times fellowship class. @smbahr14 <https://twitter.com/smbahr14>
> 
> 



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