There's a good question about what constitutes "aesthetic value."  I know of at 
least one really good painter, aesthetically speaking IMO, whose work didn't 
sell well during his lifetime and whose many good paintings are now sliding 
unloved on to the trash-heap of history.  They are going to disappear.

This is sad for the man's friends but in the long run a small loss for 
mankind--the one thing people will never run out of is Kulchur.  We can always 
make more.

The idea that "aesthetic value" equals a seldom-achieved "unity of the true, 
the good and the beautiful" which equals incomparable greatness, is likewise 
incomparably rare, and is both unspeakably precious and supremely moral (and 
therefore, no matter how reactionary the theme, revolutionary)--this strikes me 
as questionable at best.

I haven't seen Rorke's Drift but see no reason quarrel with the assertions 
about its thematic content--only with the implication that a greater degree of 
sublimity could have rescued it.  Art matters, but only up to a certain point.  
It just isn't as important as professional aesthetes and romantics try to make 
it out to be.  Beauty is not Truth; Truth is not Beauty; and that is bloody 
well not all we know on Earth or need to know.


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