The last political poet in the white academic tradition (although this 
tradition also includes Derek Walcott) was Robert Lowell.  Nobody reads Lowell 
anymore, although Elizabeth Bishop still has mindshare.  But Lowell was a 
well-known participant in the antiwar movement and a scathing critic of the 
WASP elitism out of which he emerged as well as of the "savage servility"  of 
US (capitalist) culture in the Eisenhower era and thereafter.

In the mid-seventies, a kind of chilled-out "archetypal" symbolism became 
normal in university writing departments. Looking initially to writers like 
Robert Bly--who himself, ironically, looked to the likes of Pablo Neruda--as 
well as eg the far less interesting and competent Mark Strand, this soon gave 
way to a kind of solemn, suburban symbolism in which one listened to the 
imagined voices of stones and bones and eschewed anything resembling outright 
satire or social commentary as elitist, pretentious, affected, and repressive.

Satire in the larger sense--that is in the sense that does not include 
cheap-shot TV sarcastic commentary and juvenile SNL skits--is no longer 
possible in the United States.  It's off-FEN-sive.  There is some justification 
for this, because the "savage indignation" of the traditional satirist is 
frequently reactionary (Alexander Pope) and nearly always in some sense 
elitist.  But the classical conception of satire as the thing that represents 
what I am told the Greeks called the "satura lanx"--the "fully charged platter" 
of human folly, self-deception, hypocrisy, and futility--has left a void, no 
matter how legitimate its demise.

Can or should this void be filled?  Good question.  But intersectional 
virtue-signaling only leads to a kind of senatorial courtesy--I yield to the 
gentleperson's ineffable, deep tradition as expressed in unique domestic 
scenes, flower-arranging, and ghee--and perhaps only leads to more of the 
insipid stuff that has been oozing forth from workshops for at least fifty 
years.

Pope wrote a couplet to be inscribed on the collar of a dog kept by George II 
at what later became Kew Gardens:

I am His Majesty's dog at Kew;
Pray tell me, sir, whose dog are you?

One wouldn't want Pope back, but how much contemporary writing can deliver a 
sting like that, even?


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