In the following, based on our observations in the fields of visual
arts, popular music, and literature, we will overview the impacts of
Covid-19 on the life of cultural producers, and the ways in which state
interventions may have contributed to the deepening of the
political-economic-cultural complex of the Orbán regime, established in
the last ten years. At the same time, we will also point to ways in
which the cultural construction of the regime can be undermined,
especially in relation to the local cultural industries’ exposure to
global capital and its integration into global value chains. While the
recent transformationsof higher education
<https://www.boell.de/en/2020/09/18/free-country-free-university-students-hungarys-university-theatre-and-film-arts-protest>can
be also interpreted in this framework, this would require a separate
article, therefore it will not be covered in this analysis.
https://www.criticatac.ro/lefteast/covid-19-crisis-in-hungarian-cultural-production-vulnerability-authoritarian-control/
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