Best regards,
Andrew Stewart

Begin forwarded message:

> From: H-Net Staff via H-REVIEW <[email protected]>
> Date: March 16, 2021 at 10:28:25 PM EDT
> To: [email protected]
> Cc: H-Net Staff <[email protected]>
> Subject: H-Net Review [H-LatAm]:  Hijar on Hayes, 'Radio Nation: 
> Communication, Popular Culture, and Nationalism in Mexico, 1920-1950'
> Reply-To: [email protected]
> 
> Joy Elizabeth Hayes.  Radio Nation: Communication, Popular Culture, 
> and Nationalism in Mexico, 1920-1950.  Tucson  University of Arizona 
> Press, 2020.  xx + 154 pp.  $26.95 (paper), ISBN 978-0-8165-4158-4.
> 
> Reviewed by Andres Hijar (Georgia Gwinnett College)
> Published on H-LatAm (March, 2021)
> Commissioned by Casey M. Lurtz
> 
> The influence of radio in postrevolutionary Mexico "has been both 
> [an] underestimated and understudied" topic when it comes to 
> understanding state formation as undertaken by elites in 
> postrevolutionary Mexico (p. xiii). How did President Lázaro 
> Cárdenas garner popular support and reach the Mexican masses? How 
> did Mexico afford the technology required to establish mass media 
> without compromising national sovereignty? Joy Elizabeth Hayes 
> answers these questions in her examination of revolutionary elites' 
> efforts to construct a stable political regime through the airwaves. 
> 
> Hayes's overarching argument asserts that the US government and 
> corporations intervened in Mexican mass media from its inception, as 
> establishing radio broadcast stations with the capacity to reach a 
> large audience required significant investment and technology. Hayes 
> highlights the continuous challenges the radio industry faced in its 
> attempts to reach the Mexican masses, challenges that made Americans 
> and their technologies indispensable. However, despite American 
> control, Mexicans carved an important place in the mass media 
> industry and drew on Mexican elites' conservative background to 
> control and dictate the content of radio programs. Hayes points to 
> Emilio Azcarraga's media and radio dynasty, the promotions of content 
> depicting nationalist themes on radio, and the postrevolutionary 
> regime's ability to regulate mass media as evidence that the American 
> presence on Mexican radio constituted expansionism instead of 
> imperialism. 
> 
> Hayes's focus on expansionism versus imperialism does not allow for a 
> further discussion regarding the repercussions of American control. 
> Because she does avoid the implications of this distinction, her 
> discussion of US influence in Mexico is limited to technology and 
> propaganda. An alternate reading of the same sources would perhaps 
> point to a different conclusion, especially because the actions 
> undertaken by mass media companies, first radio and later television, 
> affected the majority of Mexicans and benefited most Americans in 
> general terms. Thus, radio would be better understood through the 
> lens of imperialism as Mexican mass media served the interests of a 
> handful of wealthy and connected individuals directly linked to 
> American interests. The repercussions were multifold. One can simply 
> point to the news coverage of the students' massacre of 1968, the 
> Acteal killings, the alleged electoral frauds of 1988 and 2006, the 
> billionaire rescue of wealthy elites with public money during the 
> Zedillo regime that included American interests, the entrance of 
> American capital in oil and mining, or the Plan Merida to situate the 
> effects of this monopoly. Up until the advent of digital content, 
> these same interests controlled the entire mass media industry since 
> its inception. 
> 
> Chapter 1 traces the origins of radio in Mexico to the _Teatro the 
> Revista_ (temporary popular plays performed under tents) and 
> newspapers. Radio's ability to extract popular elements from these 
> two long-standing forms of entertainment, like the use of music and 
> the connection between the press and their audience through personals 
> and stories, made radio instantaneously popular among Mexicans. With 
> these combined elements, Hayes argues that radio continued the 
> public's long-standing tradition of attending public plays. As a 
> result, radio seamlessly overtook and subsumed these two popular 
> forms of entertainment. However, Hayes explains that radio's origins 
> in popular culture did not mean that the content on the airwaves 
> challenged the narrative set forth by the regime, as the _Teatro_ 
> often did. In fact, elites directed the distribution of 
> noncontroversial content for radio, such as music and official 
> speeches. Hayes does not mention actors, such as Mario Moreno 
> (Cantinflas), German Valdez (Tin-Tan), Jesus Martinez (Palillo), and 
> others who had to adjust to the radio and its censors, which 
> inevitably deradicalized their work. This argument about the 
> increasing homogeneity of popular content would have benefited from 
> Hayes presenting specific examples that would have made the narrative 
> come alive. 
> 
> In chapter 2, Hayes defines the nation as an elite project and argues 
> that the nation is an anti-modern construct, disguised by 
> long-standing political and economic interests as a modern entity 
> exalting individualism and an emphasis on the future. Hayes argues
> that the nation is rooted in past kinships and religious interests, 
> with the goal of expanding, justifying, and cementing elites' 
> interests. In Mexico, the radio and other forms of mass media allowed 
> these emergent powers to expand their influence through projection 
> and repetition. In other words, the nation could not exist without 
> mass media because mass media reached, expanded, shaped, and directed 
> the narrative and meaning of the nation. This does not mean dominant 
> ideas went unchallenged, especially when it came to issues regarding 
> the essence of Mexicanness, or the meaning of the revolution, but 
> Hayes's discussion on these counter-narratives is sparse. 
> 
> Chapter 3 examines the American presence in Mexican radio. As 
> previously mentioned, lack of capital and technology prevented 
> Mexicans from establishing a mass media industry without American 
> involvement. American impetus in Latin American mass media included 
> promoting and exalting the idea of a free-market system on the radio 
> in order to counteract the emergence of socialists and communists or 
> to garner support against the Axis powers. That said, American 
> laissez-faire attitudes toward the industry at home and abroad 
> allowed Mexicans to carve a place on the airwaves through 
> regulations, marriages, and political alliances without American 
> objection. These connections facilitated a small number of 
> entrepreneurs and political elites with conservative inclinations, 
> led by Azcarraga, to monopolize the industry in Mexico for fifty 
> years, first with radio and later with television. 
> 
> Chapter 4 argues that the revolutionary regime used radio to advance 
> the postrevolutionary elites' processes of state formation despite 
> most Mexicans not owning a radio. Hayes points out that most 
> listeners resided in Mexico City. She also describes how Mexicans 
> came together as a community to listen to the radio and highlights 
> efforts by the state to distribute radios among the masses. The 
> author's discussion of music's role in radio is fascinating. She 
> talks about the challenges in defining popular music. She points out 
> how biased bureaucrats' definitions of "original" were in fact 
> efforts to sanitize its popular elements, especially indigenous ones.
> As a result, a mixed type of music emerged that combined native and 
> European elements. Hayes argues that the regime and mass media 
> established _rancheras_ and _baladas_ with clear European origins as 
> the essence of Mexicanness in an attempt to water down other forms of 
> music, especially regional styles that might hold popular grievances 
> and better represent the majority of Mexicans, such as folk music, 
> also knows as the _Son _in certain areas. The Europeanization of 
> Mexican music also underscored the postrevolutionary regime's need to 
> define a political and economic system based on undermining native 
> culture and diversity. 
> 
> The last two chapters further examine government intrusion on the 
> airwaves, including the mandated _hora nacional_, in which the state 
> broadcasted nationally on Sundays for an hour on all radio stations. 
> Perhaps more notably, the final two chapters analyze Azcarraga's 
> cooperation with the United States during World II. Azcarragas's 
> ability to remain essential by offering Americans a trusted partner 
> helps to explain his eventual control of the mass media industry. 
> This study portrays Azcarraga as a shrewd capitalist, who effectively 
> balanced American and nationalist interests to capture the 
> imagination of the Mexican masses with his safe and unchallenging 
> content. The portrayal of Azcarraga fails to place into context the 
> consequences of having a man working with and under the influence of 
> the US government, controlling a crucial aspect of daily Mexican 
> life. 
> 
> _Radio Nation_ effectively examines state formation, radio, the 
> Cárdenas regime, mass media, Azcarraga, nationalism, imperialism, 
> expansionism, Mexicanness, and other crucial themes in Mexican 
> history. Scholars and students interested in any of the 
> aforementioned themes will find this study useful in understanding 
> postrevolutionary Mexican history. 
> 
> Citation: Andres Hijar. Review of Hayes, Joy Elizabeth, _Radio 
> Nation: Communication, Popular Culture, and Nationalism in Mexico, 
> 1920-1950_. H-LatAm, H-Net Reviews. March, 2021.
> URL: https://www.h-net.org/reviews/showrev.php?id=55861
> 
> This work is licensed under a Creative Commons 
> Attribution-Noncommercial-No Derivative Works 3.0 United States 
> License.
> 
> 


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