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Andrew Stewart

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> From: H-Net Staff via H-REVIEW <[email protected]>
> Date: March 17, 2021 at 2:51:49 PM EDT
> To: [email protected]
> Cc: H-Net Staff <[email protected]>
> Subject: H-Net Review [H-SHERA]:  Gapova on Astrouskaya, 'Cultural Dissent in 
> Soviet Belarus (1968-1988): Intelligentsia, Samizdat and Nonconformist 
> Discourses'
> Reply-To: [email protected]
> 
> Tatsiana Astrouskaya.  Cultural Dissent in Soviet Belarus 
> (1968-1988): Intelligentsia, Samizdat and Nonconformist Discourses.
> Historische Belarus-Studien Series. Wiesbaden  Harrassowitz Verlag, 
> 2019.  245 pp.  $65.00 (paper), ISBN 978-3-447-11188-1.
> 
> Reviewed by Elena Gapova (Western Michigan University)
> Published on H-SHERA (March, 2021)
> Commissioned by Hanna Chuchvaha
> 
> In _Cultural Dissent in Soviet Belarus_, Tatsiana Astrouskaya tells 
> the story of the plight of nonconformist Belarusian intelligentsia 
> during the last decades of Soviet rule. She focuses mostly on writers 
> and literati who used to have a place of honor in Soviet society, 
> where they enjoyed the status of public intellectuals and judges of 
> truth and morality. This material has never been studied before; in 
> general, Belarus has been considered a "voiceless" Soviet republic in 
> terms of dissent (especially if compared with neighboring Ukraine and 
> Lithuania). This new research problematizes this point of view, to a 
> great extent demonstrating that the reason for this perspective might 
> have been lack of published work on unconventional thinking in 
> Belarus, not the absence of nonconformity. While one may not 
> subscribe to the interpretations offered in the book in their 
> entirety, much of what is said is compelling and sometimes even 
> revealing, bringing to light a whole new layer of Belarusian cultural 
> and intellectual history, and weaving together events, names, ideas, 
> texts, and social connections. 
> 
> The book is a published doctoral dissertation (defended in 2018), 
> which shows in its structure and general makeup. In Europe, at least 
> in Germany, Sweden, and some other countries, there is an academic 
> tradition of publishing dissertations as (first) books, which makes 
> it possible to disseminate findings and insights as soon as they 
> become available. However, some (smaller) academic publishers, while 
> professional in dealing with oeuvres in their national languages, do 
> not have personnel and resources to prepare works in English, and 
> this is the case with the book under discussion. Errors in English 
> grammar and syntax are abundant and sometimes hamper making sense of 
> what the author means in a particular sentence. I am bringing this 
> technical complaint up front to have my hands free of it to focus on 
> the work's ideas and interpretations in the rest of the review. 
> 
> The book has 1968--the liminal year of the Prague Spring--in its 
> title: in the former socialist bloc, the date symbolizes both the 
> hopes and the demolition of post-Stalinist liberalization. However, 
> Astrouskaya starts her story much earlier, beginning with the period 
> still under Russian imperial rule. Chapter 2 ("The Intelligentsia, 
> Official and Uncensored Publishing: A Historical Background"), which 
> follows the introduction (chapter 1) explaining research questions, 
> methodology, and sources, provides a much longer historical line. It 
> goes all the way from the partition of Poland of 1772 (when 
> Belarusian lands were first incorporated into the Russian Empire)
> through the nineteenth century, the revolution of 1917, the Soviet 
> period, with a glimpse of Belarusian intellectual life in Western 
> Belarus (then a part of Poland) between the two world wars, World War 
> II, and the first decade after it. This historical background is 
> supposed to set the stage for what comes later, affirming the issue 
> of writing and publishing in the Belarusian language as the key form 
> of cultural dissent (more on this below). 
> 
> Chapters 3 to 6 cover the post-Stalinist period. They present in some 
> detail the life trajectories of several outstanding national literati 
> born before World War II (Maksim Tank, Vasil Bykau, and Uladzimir 
> Karatkevich, to name the most prominent ones), pay special attention 
> to cultural politics during "developed socialism," and celebrate 
> initiatives and projects that surfaced during perestroika. The author 
> carefully considers samizdat and uncensored publications of the 
> period and casts a brief glance at intelligentsia's reaction to 
> anti-Semitism and the Chernobyl nuclear disaster of 1986. Eventually, 
> the story reaches the lifting of censorship and transition to free 
> media during perestroika. The book also includes appendices with 
> tables of relevant publications and lists of renowned intellectuals 
> belonging to several generations detailing their dates of birth, 
> social origin, education, Communist Party membership, and other 
> relevant data. This material will be especially important for future 
> researchers of Belarusian intellectual history. 
> 
> The focus of the book is on cultural dissent. While no concrete 
> definition of "dissent" is provided, it can be adequately described, 
> with few exceptions, through the concept of _raznomyslie_ or "the 
> diversity of thinking." Introduced some fifteen years ago by the 
> Russian sociologist Boris Firsov (_Diversity of Thinking in the USSR, 
> 1940s-1960s: History, Theory and Practices_ [2008]) in relation to 
> post-Stalinist Soviet intelligentsia, it denotes an array of 
> practices and forms of expression that should not be considered as 
> political protest acts per se but rather as the realization of 
> intellectual autonomy. In its discussion of _raznomyslie_, the book
> follows two paths: on the one hand, it considers unconventional ideas 
> that penetrated official literature; and on the other, it analyzes 
> (attempts of) periodical and non-periodical samizdat (_samvydat_, in 
> Belarusian) and _tamizdat _(foreign publications), and some other 
> forms of nonconformist intellectualism. Astrouskaya intends to 
> demonstrate that dissident ideas did not spread unidirectionally from 
> the center to the periphery but to prioritize "the 
> multi-directionality of cultutal relationships" (p. 5). 
> 
> However, socialist dissent--the topic (and the very word)--is a 
> charged subject. There is a certain tradition, a preconceived 
> context, coming out of the Cold War in which it originated, and its 
> preexistence may "tint" more current perspectives with connotations 
> that are not easy to disentangle. Thus, when writing about dissent in 
> the former socialist bloc there is a temptation to succumb to the 
> well-established and still popular binary paradigm of 
> "totalitarianism" versus "freedom." Astrouskaya seeks to embrace a 
> more complex approach by recognizing that one could be a part of the 
> system yet still have a critical view of it. Assuming that "the 
> meandering between collaboration and resistance" was characteristic 
> of socialist intelligentsia throughout the region, she excapes from 
> justapositions and arrives, wisely, at more nuanced interpretations 
> of relationships and "negotiations" between intellectual elites and 
> Soviet authorities (p. 2). She writes about the blurriness of dissent 
> and official belonging, or, in her own words, "paradoxical 
> compromise" (p. 89). 
> 
> This compromise deserves some attention. Many recognized 
> intellectuals of the older generation (born before World War II) used 
> to be Communist Party members. Vasyl Bykau, the most prominent of 
> them, was in the 1980s a deputy of the Supreme Soviet and a recipient 
> of the Lenin Prize in literature, the highest Soviet award. His works 
> were translated into all (or most) national languages of the USSR and 
> were published extensively with print runs that would be unthinkable 
> in the current market economy. As a recognized writer and a Soviet 
> "envoy," he traveled the world. At the same time, intelligentsia 
> (rightly) considered him a "rebel," a person who "told the truth" 
> about the real human price of Soviet victory in World War II and 
> terrible choices one had to make in the war zone. 
> 
> The question is how to explain this paradox (in the Weberian sense of 
> _verstehen_ or "interpretative sociology"), which, in the long run, 
> is a question about sincerity and truth. Being a part of the system, 
> did socialist intellectuals lie? Or could they sincerely believe in 
> what they were doing on behalf of the system? Questions like these 
> can have meaningful answers if one recognizes that socialism was not 
> necessarily "evil" (as it is often presented) in the eyes of the 
> people who were a part of it: Bykau's generation considered their 
> country to be on the "right side of history" in its anti-fascist 
> struggle and in some other historical events as well. Suffice it to 
> say that most Soviet Belarusian writers addressed the events of World
> War II in one way or another in their work, as Belarusians lost 
> one-fourth of their population (the highest ratio in the world) in 
> that conflict. This background matters for any discussion of the 
> period. However, treating World War II (or, rather, the Great 
> Patriotic War, as it was known at the time) as the "Soviet-German 
> conflict" and avoiding any discussion of human casualties and 
> destruction not only excludes Belarusians as active agents from those 
> events but also implies that that there was nothing "right" about 
> fighting as partisans and as members of the Soviet military (p. 49). 
> To put it differently: the book sometimes ascribes post-Soviet but 
> also "anti-Soviet" (coming out of the Cold War) meanings and 
> interpretations to texts and actions that had a different meaning for 
> those who participated in them. To give another example: Astrouskaya 
> treats the satirical poem by Nil Hilevich "On the Bald Mountain" 
> ("Skaz pra Lysaiu haru") as aiming at the very foundation of Soviet 
> rule. However, at the time of its appearance in the mid-1970s, the 
> poem, which was anonymous and was circulated widely among 
> intelligentsia, was perceived as grotesque satire of the mercantile 
> "instincts" of members of the Writers' Union, not the condemnation of 
> the Soviet system. 
> 
> Another focal point of the book is the issue of the Belarusian 
> language, which is also charged. Relegated during the imperial period 
> mostly to uneducated peasantry, and with Belarusian nationalism 
> emerging quite late (in comparison to Ukrainian nationalism, for 
> example), the language was fully codified and entered schools, higher 
> educational institutions, and "official" literature only under Soviet 
> rule as a result of considerable and conscious effort. The process 
> was not unproblematic, as in the 1920s urban educated groups were 
> unhappy about being forced to switch to what they considered a "less 
> developed" language.[1] After several decades, though, Belarusian 
> almost went out of daily use among educated elites in the same way as 
> it had been initially "uplifted"; as with urbanization and 
> industrialization, Russian, a common language that the elites and 
> administrators all over the USSR could understand, allowed access to 
> social mobility, career opportunitites, and global culture. Following 
> her protagonists, intellectuals and literati, Astrouskaya equates the 
> issue of the Belarusian language (its going out of popular use) and 
> the "preservation of national culture" to that of "freedom," which 
> somewhat simplifies the problem. It is true that "cultural 
> dissidents," who are at the center of the book, made the issue of the 
> Belarusian language (and not "human rights" or "political freedom," 
> as was the dissident case in the Soviet center) their "holy grail." 
> They perceived the decline of the Belarusian language (in which they 
> had an interest) as the degradation of national culture or, as Zianon 
> Pazniak, the head of the nationalist Popular Front, stated, a moral 
> and intellectual catastrophe. However, as the Byelorussian Soviet 
> Republic was becoming one of the most technologically advanced in the 
> USSR, the modernized and urbanized Belarusian society was not 
> interested in the Belarusian language to the same extent.[2] At some 
> point during perestroika the language issue was resurrected under the 
> guidance of oppositional elites (and Pazniak as their unquestionable 
> guru of the period). But with time, it subsided and the efforts of 
> anti-Alexander Lukashenko opposition to promote it never gained wide 
> support. For example, the current "Belarusian revolution," which 
> started in August 2020 in response to the tremendous election fraud, 
> is mainly a "Russian-speaking phenomenon," driven by educated 
> urbanites. While there is interest in the national past and the use 
> of national symbols, the revolution, which _is_ about political 
> freedom, does not equate it to language and culture. 
> 
> However, disagreements regarding the interpretation of the material 
> are understandable taking into account its complex nature. In her 
> book, Astrouskaya narrates a story of Belarusian intelligentsia, and 
> the issues that she raises are important and often controversial. 
> While at times perspectives that the book suggests may be debatable, 
> its contribution to the scholarship and legacy of East European 
> socialist intelligentsia is undeniable. As far as Belarusian 
> intellectual history is concerned, this is a much-needed work. 
> 
> Notes 
> 
> [1]. See Per Rudling, _The Rise and Fall of Belarusian Nationalism, 
> 1906-1931_ (Pittsburgh, PA: University of Pittsburgh Press, 2015), 
> 210-42. 
> 
> [2]. See, for example, Elena Gapova, "O politicheskoi ekonomii 
> natsional'nogo iazyka v Belarusi," _Ab Imperio_ 3 (2005): 405-41. 
> 
> Citation: Elena Gapova. Review of Astrouskaya, Tatsiana, _Cultural 
> Dissent in Soviet Belarus (1968-1988): Intelligentsia, Samizdat and 
> Nonconformist Discourses_. H-SHERA, H-Net Reviews. March, 2021.
> URL: https://www.h-net.org/reviews/showrev.php?id=55013
> 
> This work is licensed under a Creative Commons 
> Attribution-Noncommercial-No Derivative Works 3.0 United States 
> License.
> 
> 


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