(JAI-Long article that may be behind a paywall.  If interested, write and I
will forward the entire article.)
Remembering when the government wasn’t afraid to let artists tell the truth
about capitalism
https://www.latimes.com/business/story/2023-09-07/column-remembering-when-the-government-wasnt-afraid-to-let-artists-tell-the-truth-about-capitalism

<https://www.latimes.com/business/story/2023-09-07/column-remembering-when-the-government-wasnt-afraid-to-let-artists-tell-the-truth-about-capitalism#>
Business <https://www.latimes.com/business>
[image: A painting depicting homelessness.]
Mitchell Siporin’s “Homeless” (1939).
(Bram and Sandra Dijkstra Collection)
By Michael Hiltzik <https://www.latimes.com/people/michael-hiltzik>  Business
Columnist
Sept. 7, 2023 3 AM PT

Three men huddle around a lit fire in an oil drum. An entire community of
the dispossessed goes about its day, here hanging laundry or carrying water
in buckets, there mending a tattered shirt. A homeless family stands
disconsolately before their wrecked home.

“You could see this scene today,” Bram Dijkstra says of the family
portrait. It’s not from today, however. These are paintings from the
Depression 1930s, when federally funded arts programs freed artists to
depict the underside of American capitalism as they saw it with their own
eyes.

These paintings and many other examples of what Dijkstra calls American
Expressionism are currently on display at the Oceanside Museum of Art.

Full at
https://www.latimes.com/business/story/2023-09-07/column-remembering-when-the-government-wasnt-afraid-to-let-artists-tell-the-truth-about-capitalism

  [image: A painting of a cold miner and his family]
Harry Sternberg’s “Coal Miner and Family” (1938).
(Bram and Sandra Dijkstra Collection)

-- 
JAI


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