On Tue, Sep 15, 2026 at 11:51 AM +972 Magazine <[email protected]> wrote:

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> September 15, 2026
> [image: Ben Reiff]
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> Ben Reiff
> Deputy editor
>
> ‘NAZA’ is a blistering indictment of Israel’s deep moral rot
>
> For those who’ve followed +972’s coverage of Israel’s onslaught on Gaza
> closely, much of the content of the new documentary “NAZA,” whose premiere
> I attended in Venice last week, will be familiar. Certainly, it exposes the
> inner workings of Israel’s killing systems in greater detail than ever
> before; and there is real power, too, in putting many of the revelations
> we’ve published in a series of investigations by Yuval Abraham, one of the
> film’s directors (together with Rachel Szor), in one place.
>
> But “NAZA” (a Hebrew military acronym meaning “collateral damage”) is more
> than an account of how AI algorithms, panoptic surveillance, and
> unrestrained strike policies enabled a level of civilian slaughter beyond
> almost anything we’ve seen in modern warfare. Through anonymized interviews
> with some of the soldiers responsible, the film also provides a brutal
> illustration of the dehumanization of Palestinians in the Israeli psyche —
> and a study in how an entire society can comply with genocide.
>
> People around the world have watched in horror as Israeli ground troops in
> Gaza revelled in their crimes on social media: shooting indiscriminately,
> burning homes, detonating residential blocks, and posing with the underwear
> of displaced Palestinian women. But “NAZA” shines a spotlight on a very
> different kind of Israeli soldier: the intelligence officers considered
> Israel’s “best and brightest.”
>
> Although they tend to be secular, upper-middle-class, and see themselves
> as liberal, it is these individuals — sitting behind screens inside
> Israel’s military headquarters in Tel Aviv — who are responsible for
> overseeing mass killing on a scale far greater than anything the
> messianic-Kahanist soldiers on the front lines could do. And what was so
> disturbing for me about “NAZA” is not merely what these soldiers say they
> did, but the apparent ease with which they were able to do it.
>
> One soldier claims there were “no Arab haters” in his team; they simply
> authorized the killing of hundreds, if not thousands, of Palestinians
> between them because they had a “mission” to complete. Another described
> the whole thing as being “like a video game.” Another said he would oversee
> airstrikes that he knew, through intrusive surveillance, would kill entire
> families — and then go out with friends in the evening in Tel Aviv.
>
> The Palestinians they kill don’t seem to register with these soldiers as
> human beings; as one puts it, he gave them “zero” consideration. The
> message from Israel’s politicians after October 7 was that “there are no
> innocents in Gaza,” and the army turned this slogan into policy.
>
> Another soldier in the film went further: “The feeling was that it was
> really fun.” One even explained that his commander offered to bring in a
> psychologist for the soldiers to speak to, in order to help them grapple
> with any moral qualms, but “there was really no need.” Everyone in the
> system, even these “liberal” conscripts, willingly played their part in the
> mass destruction of Palestinian society in Gaza; according to the
> interviewees, they did not witness a single refused order or act of
> resistance.
>
> It is impossible, upon watching this film, not to think about the systems
> of conformity that have produced such widespread genocidal compliance — the
> schools, the media, the political doublespeak. Given the near-total absence
> of opposition to the slaughter of Palestinians that we’ve seen within
> Israel over the past three years, none of this should come as a surprise.
>
> But in laying bare what Israel’s most esteemed soldiers did in their own
> horrifying words, “NAZA” offers a blistering indictment of just how deep
> the country’s rot goes, and the scale of deprogramming required for most
> Israelis to start to recognize Palestinians’ humanity. The incensed
> reaction the film is already generating inside Israel, before anyone has
> even seen it, only underscores this point.
>
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