On 2015/02/23 8:16 AM, Benjamin Root wrote:
> Interesting choices, and I think we are on the right paths (no pun
> intended) through the two possible colors. However, I think the same
> problem arises that I noted before. Both ends of the colormap are nearly
> black to nearly white. IIRC, our perception of luminosity has a much
> greater range than it does for chroma. While it is nice to take
> advantage of that, I wonder if we are going too far in the luminosity
> range? Perhaps these colormaps would be better if the luminosity range
> wasn't as full as it is here?
>
> Ben Root

Ben,

I was noticing the same thing, except that at least on my screen, the 
problem is mainly at the dark end, and it varies with the actual set of 
control points.  The very last one, for example (Purple Red Yellow 
L5-95) has what looks like a fairly linear ramp from end to end on my 
screen, while "Blue Green Yellow L10-90" lacks contrast on the dark end. 
  I suspect all this will be quite dependent on the particular screen 
(or printer--including the whole chain of color conversions ending up in 
ink or toner dots) being used.  It doesn't look to me like a problem 
with the luminosity range as such.  We have a highly nonlinear problem here.

In any case, this looks like a nice tool.  Maybe it can be combined with 
Nathaniel's code, which shows other aspects of the colormap?

Eric

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