Hi all,
We have XG and we have found that by creating fields that say "physical 
description" and another called "contextual description" has reduced  a lot of 
the problems we were having with people getting to their "happy place" when it 
came to who can write what on an object record (and who can change it!). 
Curators work mainly in the contextual fields and our registration staff work 
in the "Physical description" fields, as this suits their purposes much better. 
It also allows us to keep information on how an object has been described by 
different areas of the museum. Our DB team work very closely with all staff who 
use our database (we call it MICA) to ensure they understand the importance of 
maintaining correct standards.

Am happy to share much more detailed info with listers (including screen shots 
etc), just email me at emma.jones at awm.gov.au . Every catalogue (or object) 
record must be approved by a senior curator in the relevant curatorial section 
before it can be released to the web, public etc. In this way, each curatorial 
section is responsible for the checking of accuracy etc. Our DB team do a 
regular review of all records created and if we find what seem to be errors 
(spelling mistakes, incorrect conflict terms etc), we place them in a group and 
"send" them back to the relevant curatorial area with a request to re-check. 
Our view is that the curators are responsible for the content of the records 
they create - without taking this approach we found that people felt that no 
one had ownership of them, which meant when it came to cleanup, it just didn't 
happen. We have also created a number of Cystal reports and attached them to 
MICA which curatorial staff can run to easily find any records created within a 
time frame so they can go back and check.

Maggie, if you have XG, why don't you try archiving old information in the 
description flexi fields? It's a little more robust than the notes field when 
to comes to keeping the information. Below is an example (not the complete 
list) of the types of descriptions we can have in a description flexi field
Blog text
Catalogue caption
Catalogue description
Catalogue summary
Condition on arrival
Conservation description
Contextual description
Exhibition label
Exhibition relevance
Graphic Panel Caption
Obverse
Original caption
Previous caption
Production information
Research notes
Reverse
Verso description

Cheers
Emma Jones
Manager, Collection Information and Access
Australian War Memorial




-----Original Message-----
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-bounces at mcn.edu] On Behalf Of 
mcn-l-requ...@mcn.edu
Sent: Friday, 25 June 2010 5:00 AM
To: mcn-l at mcn.edu
Subject: mcn-l Digest, Vol 58, Issue 22

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Today's Topics:

   1. Re: Database access for curators? (Robert Mason)
   2. Collection APIs (Steward, Jeff)
   3. Re: Database access for curators? (Gabriela Zoller)
   4. Re: Database access for curators? (Chuck Patch)
   5. Re: Database access for curators? (Maggie Hanson)
   6. (no subject) (Ann Go)
   7. Re: Database access for curators? (Perian Sully)
   8. Bad news for the public domain (Perian Sully)
   9. NDF 2010 Conference: International Keynote Speakers       Confirmed
      (Adrian Kingston)
  10. Personalised visitor services at your institution? (Aur?lie Henry)
  11. Re: Database access for curators? (Richard Light)


----------------------------------------------------------------------

Message: 1
Date: Wed, 23 Jun 2010 15:35:16 -0400
From: "Robert Mason" <r...@rom.on.ca>
Subject: Re: [MCN-L] Database access for curators?
To: "Museum Computer Network Listserv" <mcn-l at mcn.edu>
Message-ID: <4C2229B5.6BCF.0070.1 at rom.on.ca>
Content-Type: text/plain; charset=US-ASCII

I'd be interested to know what "approval" is needed by db staff to "check" the 
"corrections" of the curatorial staff. It is the curatorial staff that are 
experts on the collection, not necessarily the db staff.

M.

_____________________________________________
Dr. Robert B. J. Mason (E-mail: robert.mason at rom.on.ca; fax (416) 586-5877)
Dept of World Cultures, Royal Ontario Museum, 100 Queen's Park, Toronto, 
Ontario, M5S 2C6, CANADA
Associate Professor, Near and Middle Eastern Civilizations, University of 
Toronto, 4 Bancroft Avenue, Toronto, Ontario, M5S 1C1, CANADA
web: http://www.utoronto.ca/nmc/mason/mason.html

>>> Perian Sully <perian at emphatic.org> 6/23/2010 1:35 PM >>>
Hi Maggie:

I don't know if Mimsy has workflow capabilities, but some systems allow you
to be notified of changes or let you see/approve the changes before they
become live.

Barring that, I've also instructed my curators to place the original
information into a notes field before they delete it entirely (but I also
have backups to refer to, in a worst case scenario).

~Perian
_______________________________________________
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Network (http://www.mcn.edu)

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------------------------------

Message: 2
Date: Wed, 23 Jun 2010 15:44:09 -0400
From: "Steward, Jeff" <jeff_stew...@harvard.edu>
Subject: [MCN-L] Collection APIs
To: Museum Computer Network Listserv <mcn-l at mcn.edu>
Message-ID:
        <1792577DCB731446AA4D874F1342736E2D49A968 at FASXCH02.fasmail.priv>
Content-Type: text/plain; charset="us-ascii"

Hello MCN,

I have a few questions on the topic of APIs. I'm interested in hearing  from 
those of you who have taken the plunge and developed an API to your collection 
data or other museum specific information. Thus far I know the Brooklyn Museum, 
Museum of London, and the V&A have APIs and that the Powerhouse Museum provides 
their collection data for download. Does anyone else out there provides 
programmatic access to their data? For those of you with an API, do you 
publicize it in any way? Does your API get used? Do any of you have private 
APIs to your data for internal use? For those of you who thought about building 
an API but haven't, what stopped you from doing so?

Thanks,
Jeff Steward
Architect for Applications Development
617-495-0785
jeff_steward at harvard.edu<mailto:jeff_steward at harvard.edu>

Harvard Art Museum
32 Quincy Street, Cambridge, MA 02138
www.harvardartmuseum.org<http://www.harvardartmuseum.org>



------------------------------

Message: 3
Date: Wed, 23 Jun 2010 15:48:26 -0400
From: "Gabriela Zoller" <gzol...@albrightknox.org>
Subject: Re: [MCN-L] Database access for curators?
To: "Museum Computer Network Listserv" <mcn-l at mcn.edu>
Message-ID:
        <378F1A23A5BDA849AEFEAD70072D1D71023E5FB6 at akag4.albrightknox.com>
Content-Type: text/plain;       charset="iso-8859-1"

"Checking the corrections of the curatorial staff" might refer to making sure 
that the information they enter is properly formatted / uses controlled 
vocabulary terms, etc. -- not checking the veracity of the information itself, 
but making sure it is formatted consistently with database standards.

-----Original Message-----
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu]On Behalf Of
Robert Mason
Sent: Wednesday, June 23, 2010 3:35 PM
To: Museum Computer Network Listserv
Subject: Re: [MCN-L] Database access for curators?


I'd be interested to know what "approval" is needed by db staff to "check" the 
"corrections" of the curatorial staff. It is the curatorial staff that are 
experts on the collection, not necessarily the db staff.

M.

_____________________________________________
Dr. Robert B. J. Mason (E-mail: robert.mason at rom.on.ca; fax (416) 586-5877)
Dept of World Cultures, Royal Ontario Museum, 100 Queen's Park, Toronto, 
Ontario, M5S 2C6, CANADA
Associate Professor, Near and Middle Eastern Civilizations, University of 
Toronto, 4 Bancroft Avenue, Toronto, Ontario, M5S 1C1, CANADA
web: http://www.utoronto.ca/nmc/mason/mason.html

>>> Perian Sully <perian at emphatic.org> 6/23/2010 1:35 PM >>>
Hi Maggie:

I don't know if Mimsy has workflow capabilities, but some systems allow you
to be notified of changes or let you see/approve the changes before they
become live.

Barring that, I've also instructed my curators to place the original
information into a notes field before they delete it entirely (but I also
have backups to refer to, in a worst case scenario).

~Perian
_______________________________________________
You are currently subscribed to mcn-l, the listserv of the Museum Computer 
Network (http://www.mcn.edu)

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_______________________________________________
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Network (http://www.mcn.edu)

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------------------------------

Message: 4
Date: Wed, 23 Jun 2010 15:55:59 -0400
From: Chuck Patch <chuck.pa...@gmail.com>
Subject: Re: [MCN-L] Database access for curators?
To: Museum Computer Network Listserv <mcn-l at mcn.edu>
Message-ID:
        <AANLkTinLKSeKD-D3izNzc-W8AQOnElAybfkHw2-fsqLA at mail.gmail.com>
Content-Type: text/plain; charset=ISO-8859-1

Exactly. To torture an analogy - English and history professors are
content experts but they don't catalog the books in the library - not
even the ones they write. Trained catalogers apply the correct
retrieval vocabularies and follow standardized rules for the formation
of bibliographic information, which allows other people following the
same rules to find them, organize them (as in putting them into
bibliographies, citations, etc.)



On Wed, Jun 23, 2010 at 3:48 PM, Gabriela Zoller
<gzoller at albrightknox.org> wrote:
> "Checking the corrections of the curatorial staff" might refer to making sure 
> that the information they enter is properly formatted / uses controlled 
> vocabulary terms, etc. -- not checking the veracity of the information 
> itself, but making sure it is formatted consistently with database standards.


--
Chuck Patch
Museum Information Management Consulting
403 Edgevale Rd
Baltimore MD 21210
410-366-3613


------------------------------

Message: 5
Date: Wed, 23 Jun 2010 12:59:35 -0700
From: "Maggie Hanson" <maggie.han...@pam.org>
Subject: Re: [MCN-L] Database access for curators?
To: "Museum Computer Network Listserv" <mcn-l at mcn.edu>
Message-ID:
        <2FABC7BA0842404CB616A629770907040277A4F5 at exchange.pam.org>
Content-Type: text/plain;       charset="us-ascii"

Thanks, Gabriela.  This is a concern as well as the fact that
"corrections" in many instances included deleting prior information,
which may be needed and useful for records in departments like the
registrar even if the information is not necessarily (or any longer)
correct.

-----Original Message-----
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of
Gabriela Zoller
Sent: Wednesday, June 23, 2010 12:48 PM
To: Museum Computer Network Listserv
Subject: Re: [MCN-L] Database access for curators?

"Checking the corrections of the curatorial staff" might refer to making
sure that the information they enter is properly formatted / uses
controlled vocabulary terms, etc. -- not checking the veracity of the
information itself, but making sure it is formatted consistently with
database standards.

-----Original Message-----
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu]On Behalf Of
Robert Mason
Sent: Wednesday, June 23, 2010 3:35 PM
To: Museum Computer Network Listserv
Subject: Re: [MCN-L] Database access for curators?


I'd be interested to know what "approval" is needed by db staff to
"check" the "corrections" of the curatorial staff. It is the curatorial
staff that are experts on the collection, not necessarily the db staff.

M.

_____________________________________________
Dr. Robert B. J. Mason (E-mail: robert.mason at rom.on.ca; fax (416)
586-5877)
Dept of World Cultures, Royal Ontario Museum, 100 Queen's Park, Toronto,
Ontario, M5S 2C6, CANADA
Associate Professor, Near and Middle Eastern Civilizations, University
of Toronto, 4 Bancroft Avenue, Toronto, Ontario, M5S 1C1, CANADA
web: http://www.utoronto.ca/nmc/mason/mason.html

>>> Perian Sully <perian at emphatic.org> 6/23/2010 1:35 PM >>>
Hi Maggie:

I don't know if Mimsy has workflow capabilities, but some systems allow
you
to be notified of changes or let you see/approve the changes before they
become live.

Barring that, I've also instructed my curators to place the original
information into a notes field before they delete it entirely (but I
also
have backups to refer to, in a worst case scenario).

~Perian
_______________________________________________
You are currently subscribed to mcn-l, the listserv of the Museum
Computer Network (http://www.mcn.edu)

To post to this list, send messages to: mcn-l at mcn.edu

To unsubscribe or change mcn-l delivery options visit:
http://toronto.mediatrope.com/mailman/listinfo/mcn-l

The MCN-L archives can be found at:
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_______________________________________________
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Computer Network (http://www.mcn.edu)

To post to this list, send messages to: mcn-l at mcn.edu

To unsubscribe or change mcn-l delivery options visit:
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_______________________________________________
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Computer Network (http://www.mcn.edu)

To post to this list, send messages to: mcn-l at mcn.edu

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------------------------------

Message: 6
Date: Wed, 23 Jun 2010 15:59:48 -0400
From: "Ann Go" <a...@mcny.org>
Subject: [MCN-L] (no subject)
To: <mcn-l at mcn.edu>
Message-ID: <7CFEC2CB-8CBC-4650-9DA1-A410C7A33B1C at mcny.org>
Content-Type: text/plain;       charset="us-ascii"



Ann

Sent from my tiny virtual keyboard.


------------------------------

Message: 7
Date: Wed, 23 Jun 2010 15:50:22 -0700
From: Perian Sully <per...@emphatic.org>
Subject: Re: [MCN-L] Database access for curators?
To: Museum Computer Network Listserv <mcn-l at mcn.edu>
Message-ID:
        <AANLkTikv88IgCKH20tsDA1YIfZHyEjcEfuQ98qeeYhWg at mail.gmail.com>
Content-Type: text/plain; charset=ISO-8859-1

Chuck, Gabriela, and Maggie have it correct. One would hope that the db
staff worked with the curators in advance, to determine the correct
terminology terms! However, I can tell you that no one applies terms
consistently, so having that final approval by the information manager is
critical.

Likewise, I can't tell you how many times I've gotten into discussions with
curators who want to delete the description field (used by registration for
identification purposes) in favor of a more contextual, historical "curated"
description. I have had to go into backups to restore the identifying
description and re-incorporate it. These days, I'm in favor of a curator's
description (or history, or curator's notes) field that the curators can
use, in addition to a physical description field for the registration staff.


On Wed, Jun 23, 2010 at 12:59 PM, Maggie Hanson <maggie.hanson at pam.org>wrote:

> Thanks, Gabriela.  This is a concern as well as the fact that
> "corrections" in many instances included deleting prior information,
> which may be needed and useful for records in departments like the
> registrar even if the information is not necessarily (or any longer)
> correct.
>
>


------------------------------

Message: 8
Date: Wed, 23 Jun 2010 17:06:16 -0700
From: Perian Sully <per...@emphatic.org>
Subject: [MCN-L] Bad news for the public domain
To: Museum Computer Network Listserv <mcn-l at mcn.edu>
Message-ID:
        <AANLkTimQKixUxTkm7y9jQBCP3cyan833tlhBSLxmUj5u at mail.gmail.com>
Content-Type: text/plain; charset=ISO-8859-1

Yikes...

Court Says It's Okay To Remove Content From The Public Domain And Put It
Back Under Copyright
http://www.techdirt.com/articles/20100621/2320049908.shtml

>From the article:

"...last year, a district court made a very important ruling on what
appeared to be a minor part of copyright law. The "Golan"
case<http://www.techdirt.com/articles/20090403/1619494384.shtml>asked
a simple question: once something is officially in the public domain,
can Congress pull it out and put it back under copyright? The situation came
about because of (yet another) trade agreement that pulled certain foreign
works out of the public domain. A district court had initially said that
this move did not violate the law, but the appeals court sent it back,
saying that the lower court had not analyzed the First Amendment issue, and
whether this was a case where the inherent conflict between the First
Amendment and copyright law went too far to the side of copyright by
violating the "traditional contours of copyright law." Getting a second
crack at this, the district court got it right -- and was the first court to
point out that massively expanded copyright law can, in fact, violate the
First Amendment.

But, of course, it couldn't last.

On Monday, the appeals court reversed the lower court's
ruling<http://courtlistener.com/ca10/09-1234/>and said there's no
problem with the First Amendment because copyright law
"addresses a substantial or important governmental interest.""

If I read this right, because the ruling is less about international trade
agreements and more about First Amendment issues, this undermines the
sanctity of public domain in the United States, regardless of origin. And
since it's likely to go to the Supreme Court, AND the Roberts Court has been
notoriously pro-corporate, I'm not feeling terribly secure about the fate of
public domain.

Anyone else have other perspectives about this?

~Perian


------------------------------

Message: 9
Date: Thu, 24 Jun 2010 16:02:42 +1200
From: "Adrian Kingston" <adri...@tepapa.govt.nz>
Subject: [MCN-L] NDF 2010 Conference: International Keynote Speakers
        Confirmed
To: <mcn-l at mcn.edu>
Message-ID:
        <04DFC5171C7D2D468F6F75102136D81324F221AD at 
whakaahu.boh.tepapa.govt.nz>
Content-Type: text/plain;       charset="us-ascii"


Apologies for cross posting.

National Digital Forum 2010 Conference
Linking data, linking people

Monday 18 - Tuesday 19 October 2010
Museum of New Zealand Te Papa Tongarewa, Wellington

INTERNATIONAL KEYNOTE SPEAKERS CONFIRMED
We're delighted to confirm Michael Edson and Nick Poole as the
international keynote speakers:

MICHAEL EDSON
Director of Web and New Media Strategy, Smithsonian Institution

Michael has worked on numerous award-winning projects and has been
involved in practically every aspect of technology and New Media for
museums. Read more.

NICK POOLE
CEO, Collections Trust

Nick advises Governments, funders and cultural agencies throughout the
world on issues relating to the new Digital Economy, including
standards, IPR, social media and emerging business models. He has
published and lectured worldwide, and is currently the Chair of the UK
branch of the International Council of Museums. Read more.

REGISTER TODAY
The financial year is coming to a close on 30 June for Government. Check
to see if your department has any reserve funds to allow you to register
today!
Register now:
https://www.eiseverywhere.com/ereg/index.php?eventid=12560&;

PRE and POST CONFERENCE ACTIVITIES
DigitalNZ and National Services Te Paerangi are holding events around
the NDF Conference. We encourage you to support these events too!

2nd Annual DigitalNZ Get Together
11:00am - 3:00pm, Sunday 17 October
Level 1, National Library of NZ, 77 Thorndon Quay
Contact: gathering at digitalnz.org

You're invited to Digital BarCamp
9.30am and 3.30pm, Wednesday 20 October
Venue: TBC
Contact: luciep at tepapa.govt.nz

Conference enquiries or further Information
Visit the NDF website
(http://ndf.natlib.govt.nz/about/2010-conference.htm) for full
conference details and if you have any questions please do not hesitate
to contact the conference organisers:

Paardekooper and Associates
Conference organisers of NDF 2010
P: +64 4 562 8259
F: +64 4 562 8269
E: ndf at paardekooper.co.nz
W: http://ndf.natlib.govt.nz/about/2010-conference.htm

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
Visit the Te Papa website http://www.tepapa.govt.nz
The email message together with the accompanying attachments may be
CONFIDENTIAL. If you have received this message in error, please notify
mail at tepapa.govt.nz immediately and delete the original message. The
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Te Papa employs strict virus checking measures and accepts no liability
for any loss caused either directly or indirectly by a virus arising
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+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


------------------------------

Message: 10
Date: Thu, 24 Jun 2010 14:26:16 +0200
From: Aur?lie Henry <aureli.he...@gmail.com>
Subject: [MCN-L] Personalised visitor services at your institution?
To: mcn-l at mcn.edu
Message-ID: <1B973B93-4F59-48A5-BD87-9079F2379951 at gmail.com>
Content-Type: text/plain;       charset=windows-1252

Hello MCN,

We would like to draw your attention to an online survey we are leading into 
museum's perceptions and use of personalised visitor services.  See: 
http://www.surveymonkey.com/s/2C8WMTL

The concept of harnessing the potential of digital media to deliver more 
personalised visitor services is not new, but neither is it commonplace in 
cultural institutions today.  Within this conceptual-practical balance, the aim 
of this research is to develop a better understanding of the use, challenges 
and future of personalised visitor services in museums around the world.

We're hopeful the findings will be of interest and value to the community and 
we'll be publishing them online later towards the end of the summer.
And as an incentive, respondents will be able to enter into a prize draw for 
200 ? / US$250 of Amazon vouchers.

The survey is only 15 questions long and should only take 10 minutes of your 
time.
The survey is online at: http://www.surveymonkey.com/s/2C8WMTL

We hope you chose to participate, and look forward to sharing the results!
Enjoy the rest of your day,

Aur?lie Henry & Loic Tallon.
survey at pocket-proof.com

------------------------------

Message: 11
Date: Thu, 24 Jun 2010 13:56:31 +0100
From: Richard Light <rich...@light.demon.co.uk>
Subject: Re: [MCN-L] Database access for curators?
To: Museum Computer Network Listserv <mcn-l at mcn.edu>
Message-ID: <y+Xuloc$X1IMFw$I at light.demon.co.uk>
Content-Type: text/plain;charset=us-ascii;format=flowed

In message
<AANLkTikv88IgCKH20tsDA1YIfZHyEjcEfuQ98qeeYhWg at mail.gmail.com>, Perian
Sully <perian at emphatic.org> writes
>
>Likewise, I can't tell you how many times I've gotten into discussions with
>curators who want to delete the description field (used by registration for
>identification purposes) in favor of a more contextual, historical "curated"
>description. I have had to go into backups to restore the identifying
>description and re-incorporate it. These days, I'm in favor of a curator's
>description (or history, or curator's notes) field that the curators can
>use, in addition to a physical description field for the registration staff.

Interesting how experience varies on this issue. I'm not sure whether
it's a North America/U.K. difference, or simply one between larger
museums who can afford to have IT staff to argue with the curators, and
the sort of smaller museums I tend to deal with.

Anyway, I agree that there is a distinction to be made between an
identifying description, and one designed to bring out an object's
cultural and/or historical significance.  The latter is presumably
destined for consumption by the public, and it would clearly be more
helpful to include it, for example, in a summary record on your web
site.

In our Modes data structure we have gone a step further, and provided a
repeatable Commentary element, each with a defined Audience. This allows
multiple semi-structured descriptions of an object, each targeted at a
specific sector of the public.  This helps address the perennial problem
of how museums can generate interesting web pages directly from the
information held within their collections management system.

Richard
--
Richard Light


------------------------------

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