1. Save your RAW files until the publication is delivered. (if any) Or, if for some reason you may be color editing again at a later time. 2. Save your Tif files as master files. 3. Copy jpegs up to where they are needed and then dump 'em - you can always make more from the tiffs. 4. The RAW+jpeg setting is so you have a jpeg to quickly look at before processing the RAW.
Regards, JEFF Jeffrey Evans Digital Imaging Specialist Princeton University Art Museum 609.258.8579 On 8/25/08 10:42 AM, "Kathy Amoroso" <kamoroso at mainehistory.org> wrote: > Hello all, > > I am new to this group so pardon me if this discussion has already > happened. If it has, please direct me to the correct month in the archive. > > I was wondering what the museum trend is now for using RAW format files in > photography of digital objects. We at Maine Memory Network > (www.mainememory.net) have a camera that saves RAW and JPG and for now > have been sticking with JPG. We are getting questioned internally about > RAW, however. We save our scans as TIF and then convert them to JPG for > the website. Any thoughts on the subject would be greatly appreciated. > > ************************ > Kathy Amoroso > Director of Digital Projects, kamoroso at mainehistory.org > Maine Historical Society, 489 Congress Street, Portland, ME 04101 > > > _______________________________________________ > You are currently subscribed to mcn-l, the listserv of the Museum Computer > Network (http://www.mcn.edu) > > To post to this list, send messages to: mcn-l at mcn.edu > > To unsubscribe or change mcn-l delivery options visit: > http://toronto.mediatrope.com/mailman/listinfo/mcn-l
