The law defines the first holder of copyright as the author / creator.  That is 
the assumption we go by when we state "(c) the artist" or "(c) the artist's 
estate" (if the artist is no longer alive) as the default.  

Not to state that would make us extremely uncomfortable.  99 % of the time it 
is an accurate statement.
It is rare for an artist to transfer copyright to another party.  We have run 
into exactly one instance of that happening, in the 1920s.

Amalyah
 

-----Original Message-----
From: mcn-l-bounces at mcn.edu [mailto:[email protected]] On Behalf Of Eve 
Sinaiko
Sent: Tuesday, May 11, 2010 11:00 PM
To: 'Museum Computer Network Listserv'
Subject: Re: [MCN-L] IP SIG - orphan works question

> Amalyah Keshet
>
> I agree entirely with Peter, who has answered this question far more
elegantly than I could.
> 
> We never think twice about using the phrase "(c) the artist" as a 
> default,
if that's the only
> information or best guess we have, or if the artist or copyright owner
doesn't answer our
> enquiries.

Amalyah (and others): When you put the phrase "(c) the artist" on an artwork 
image, without having confirmed that the artist did indeed retain the 
copyright, do you note (as Peter suggests) that this is a presumed copyright? 
In publishing, the practice in such instances is usually to be silent, rather 
than commit to print a copyright assertion that may be erroneous. 

I like the idea of publishing a "presumed or probable copyright." It gives the 
reader some guidance without absolutely confirming what may not be correct. I'm 
thinking here of the confusions that arise when an artist's estate has more 
than one heir, and with the copyright for a particular work being gifted or 
assigned. The latter didn't happen too often in the past, but it did arise 
occasionally and seems to be getting more common.

In print publishing, it has usually been the practice not to add a "(c) the 
artist" notice unless the artist or estate has requested one in writing. I 
think publishers would be very leery of adding copyright notices unless a 
rights holder told them to do so, but in omitting that information, they are 
probably contributing to the general confusion. I know of no practical 
guidelines for publishers on this...  

Regards,
Eve Sinaiko
New York 


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