Hi all, It would be very interesting to hear from anyone who has implemented a color management workflow. I know of a few places (Yale University Art Gallery has been very helpful as we develop ours), but has anyone smaller had any success?
Thanks, Ann S. Ann Sinfield, Registrar Chazen Museum of Art University of Wisconsin-Madison 800 University Avenue Madison, WI 53706 608-263-3722 tel 608-263-8188 fax asinfield at chazen.wisc.edu www.chazen.wisc.edu >>> Jeff Evans <jfevans at Princeton.EDU> 8/1/2006 8:19 am >>> Will, At Princeton, we remain a film-to-press workflow, however we do use a Canon EOS-1Ds MarkII (and love it) for half page images and jpegs. Along with digital capture technology, you may want to inquire about match print / color management workflow. Those answers will be interesting to read as well. (unless commercial CMYK printing is not an issue for you) JEFF Jeffrey Evans Digital Imaging Specialist Princeton University Art Museum 609.258.8579 On Jul 30, 2006, at 10:19 AM, Real, Will wrote: > As the time for submitting budget requests for our next fiscal year > approaches I am curious to know what digital photography devices > are being used in the museum community. Would any of you be willing > to volunteer whether you are using any of the following for > photography of collections? Please be as specific as you can. > (respond offline directly to me if you wish to remain anonymous: > realw [at] carnegiemuseums.org) > > Nikon D1X, D200, D2X > Canon 5D, EOS 1Ds Mark II > Leaf Aptus 75 > Phase One P 45, etc. > BetterLight 6000 etc. > Sinar Bron 44, 54, emotion75, etc. > Others (Imacon, Jenoptik, etc.) > > I would also be interested to know if you have switched to all- > digital capture or not. > > Thanks, > > Will > > William Real > Director of Technology Initiatives > Carnegie Museum of Art > 4400 Forbes Ave > Pittsburgh, PA 15213 > 412.622.3267 > 412.622.3112 (fax) > _______________________________________________
